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RGB Color Theory Applied to Print 

John Seymour
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This video has icky audio quality. I have remastered it:, and uploaded it here: • RGB Color Theory Appli...
This is the sequel to the RGB Color Theory lecture, where I apply that theory to explain how print works. In this video, I answer once and for all the question of what are the true primary colors, what the big difference between ink and paint is, whether or not cyan ink reflects blue and green light, how halftoning and color separation works, why we need black ink, and whether or not yellow ink absorbs all the blue light (and the yin/yang implied from this answer).
Note: This video was created as a lecture in my class on color and printing at Clemson University. I couldn't deliver the class in person, so I made a video. I figgered I may as well make it available to everyone, sinc ei had the video already.

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12 сен 2024

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@wolpumba4099
@wolpumba4099 7 месяцев назад
*Chapter Titles* *I. Introduction to Color and Printing* - 00:06 Introduction to Color Theory and Primary Colors - 00:42 Misconceptions About Primary Colors *II. Primary Colors in Practice* - 01:34 Experimenting with Primary Colors - 03:04 Results of Overprinting Artist Primaries - 04:35 Historical Context of Artist Primaries - 05:32 Observing Monitor Primaries in Printing - 07:23 Discovering the Correct Printing Primaries *III. Color Gamut and Applications* - 09:48 CMY Gamut in Painting - 11:06 Questioning the Concept of Primaries - 12:16 The Best Set of Primaries for Printing *IV. Debunking Color Myths* - 12:29 Why the Lies About Primaries? - 14:12 Basic Color Terms and Common Usage - 15:14 Misconceptions About Ink and Paint *V. Color Simulation and Theory* - 17:17 Simulating Ink Behavior - 18:18 Understanding Color Theory and Ink Properties - 20:03 Ink Interaction with Light and Paper *VI. Advanced Printing Techniques* - 22:40 Debunking Myths Around Ink and Color Printing - 24:10 Introduction to Halftoning in Printing - 26:41 The Process of Color Separation - 30:08 Converting RGB Images to CMYK for Printing *VII. Optical Properties and Absorption* - 33:19 Exploring Yellow Ink and Blue Light Absorption - 35:27 Demonstration with Light Measurement and Beer - 36:24 Understanding Light Absorption and Transmission - 37:13 The Beer-Lambert Law - 38:47 Applying the Concept to Ink Layers - 42:34 Generalizing Beer's Law *VIII. Conclusion and Practical Takeaways* - 43:13 Ink Versus Paint and Practical Applications *Summary* *Introduction to Color Theory and Primary Colors* - 00:06 Introduction to the lecture on color theory and printing. - 00:11 Recap of the last lecture on RGB color theory. - 00:35 Transition to discussing printing and common misconceptions about it. *Misconceptions About Primary Colors* - 00:42 The lecture will address misconceptions about printing and primary colors. - 00:55 The commonly taught primary colors (red, blue, and yellow) are not used in computer monitors or printing. - 01:14 These are referred to as artist primaries, but not used in digital displays or printing processes. *Experimenting with Primary Colors* - 01:34 Description of an experiment to test out primary colors, which is detailed on the instructor's blog. - 02:04 The experiment involves printing sheets with different primary color sets and aligning them. *Results of Overprinting Artist Primaries* - 03:04 Overprinting red and blue does not result in purple as taught in kindergarten. - 03:55 Overprinting blue and yellow produces a green color, although not a strong green. - 04:19 Overprinting yellow and red gives an orange color, which is fairly decent. *Historical Context of Artist Primaries* - 04:35 The red, blue, and yellow primary colors were first conceived by lithographer Jacob Christoph Le Blon for anatomical printing. *Observing Monitor Primaries in Printing* - 05:32 Overprinting the monitor primaries (red, green, and blue) results in unsatisfactory colors for printing. - 07:10 RGB primaries are additive and do not work well for the subtractive process of printing. *Discovering the Correct Printing Primaries* - 07:23 The lecture explores the correct primaries for printing: cyan, magenta, and yellow. - 09:29 The CMY primaries provide the largest printing gamut and are the most suitable for printing. *CMY Gamut in Painting* - 09:48 A student's project demonstrated that the CMY gamut provides a wide range of colors when used in painting. - 10:20 The comparison of CMY gamut with RYB gamut shows that CMY performs better in most color ranges. *Questioning the Concept of Primaries* - 11:06 The concept of specific primaries may be somewhat misleading, as different primaries may be needed for different colors. - 11:53 No matter what primaries are used, some colors will be missed. *The Best Set of Primaries for Printing* - 12:16 Cyan, magenta, and yellow are identified as the best set of primaries for printing. *Why the Lies About Primaries?* - 12:29 The instructor speculates on why misconceptions about primary colors persist. - 12:50 The appearance of ink in bulk differs from its appearance when printed, which may contribute to the misconceptions. *Basic Color Terms and Common Usage* - 14:12 The terms cyan and magenta are not commonly used outside the graphic arts, which may influence the primary colors taught. *Misconceptions About Ink and Paint* - 15:14 Paint is meant to be opaque and cover surfaces, while ink should be transparent to show underlying colors.
@wolpumba4099
@wolpumba4099 7 месяцев назад
- 16:38 Misconception about how cyan ink works; it does not function as a simple combination of blue and green light. *Simulating Ink Behavior* - 17:17 Using acetate filters to simulate the behavior of cyan and yellow inks. - 17:56 Demonstrating that mixing cyan and yellow filters produces green, similar to how inks would mix. *Understanding Color Theory and Ink Properties* - 18:18 Acetate filters act like ink, combining to create cyan, magenta, and secondary colors such as blue, red, and green. - 18:53 Acetate filters serve as a reasonable simulation for how printing ink behaves. - 19:01 Discusses the difference between using paint and filters; paint covers while filters, being transparent, allow for the creation of secondary colors. *Ink Interaction with Light and Paper* - 20:03 Provides a model of how cyan ink on paper absorbs red light while allowing green and blue light to reflect off the paper, not the ink itself. - 21:16 Emphasizes the importance of paper color in the printing process, calling it the "fifth color." *Debunking Myths Around Ink and Color Printing* - 22:40 Introduces the myth that printing an image is easy, explaining the complexity behind creating colors. - 23:14 Describes a simple color matching approach for printing which results in posterization, not ideal for detailed images. *Introduction to Halftoning in Printing* - 24:10 Explains the process of halftoning, adjusting the size of the dots instead of ink thickness to create the appearance of a color gradient. - 25:29 Uses an image of a puppy to illustrate how varying dot sizes in halftoning can create detailed images. *The Process of Color Separation* - 26:41 Shows how software creates separate cyan, magenta, yellow, and black plates to prepare for printing. - 28:01 Introduces the concept of a color space using a red-green-blue (RGB) color space cube to understand color mixing in software. *Converting RGB Images to CMYK for Printing* - 30:08 Describes the conversion process from an RGB image to CMYK, explaining that it involves inverting the color spaces and subtracting colors from white. - 31:02 Highlights the necessity of black ink in printing for cost efficiency, improved darkness, and registration accuracy. *Exploring Yellow Ink and Blue Light Absorption* - 33:19 Addresses the myth that yellow ink absorbs all blue light, showing that multiple layers of yellow acetate create a richer yellow, indicating some blue light passes through. - 34:43 Concludes that the color output depends on the thickness of the ink applied during printing. *Demonstration with Light Measurement and Beer* - 35:27 Sets up an experiment to measure light through beer, calibrating the light meter to measure in "banana units" with plans to measure the light after it passes through the beer. *Understanding Light Absorption and Transmission* - 36:24 Describes a hypothetical scenario where 100 photons go through a "beer" (acting as a light filter), and only 90 photons pass through, losing 10 photons to absorption. - 37:00 Introduces the idea of a second layer of "beer," questioning how many photons would emerge after the second layer. *The Beer-Lambert Law* - 37:13 Poses a question about light transmission after a second layer of "beer," with an initial assumption of 100 photons and a 10% loss after the first layer. - 37:29 Explains that if 81 photons are expected after the second layer, this is due to a 10% loss from the remaining 90 photons. - 38:00 Continues the pattern for subsequent layers, indicating a diminishing number of photons with each layer of "beer." - 38:25 Assures that no actual beer was wasted in the demonstration. *Applying the Concept to Ink Layers* - 38:47 Jokes about the type of beer used in the experiment and transitions to a serious point about the Beer-Lambert Law. - 38:55 Explains the Beer-Lambert Law and its relevance to calculating light absorption with multiple ink layers. - 39:03 Uses an example of cyan ink on paper with red light to demonstrate the law, where cyan absorbs red light. - 39:49 Assigns an arbitrary value for red light absorption by cyan ink and reflects on the light that bounces off the paper. - 40:32 Details how the cyan ink absorption affects light reflectance, with each pass through the ink absorbing about half the light. - 41:06 Shows the calculation of reflectance involving transmittance and paper reflectance. - 41:19 Discusses the effect of two layers of ink on the reflectance of red light, further demonstrating the exponential decrease in light transmission. - 42:05 Introduces a density value for two layers of ink based on the calculation of light transmission and reflection. *Generalizing Beer's Law* - 42:34 Provides the general equation for Beer's Law applied to multiple ink layers and how film thickness influences light reflectance. - 42:46 Generalizes the equation to accommodate non-integer thickness values. - 42:59 Explains that the reflectance of paper with ink exponentially decays with increased ink thickness. *Ink Versus Paint and Practical Applications* - 43:13 Highlights the difference between ink and paint, noting that ink color varies with the amount applied to the paper. - 43:25 Discusses the pros and cons of ink application, allowing for adjustments in color intensity but also requiring precise control of ink volume. - 43:49 Concludes the presentation and refers to additional resources, including a PowerPoint on Canvas, a book on RGB color theory, and blog posts about color wheels and primary colors. - 44:28 Ends the video, mentioning "one Beer's law," and wishes the audience a good day. Disclaimer: I used gpt4-1106 to summarize the video transcript. This method may make mistakes in recognizing words
@bsdiceman
@bsdiceman 4 месяца назад
Hahah Black is a key part of it aswell
@DarrylGold
@DarrylGold 7 месяцев назад
why is this so quiet?
@JohnSeymourTheMathGuy
@JohnSeymourTheMathGuy 7 месяцев назад
Hmmm... I see that the sound is only recorded on one channel. I will try to fix that in the MP4 and re-upload.
@JohnSeymourTheMathGuy
@JohnSeymourTheMathGuy 7 месяцев назад
I fixed this, but RU-vid won't let me just replace the video. I have uploaded the version with better audio here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-ZGE_G9WMFWA.htmlsi=V9zIWVIyF2Hw_n4X
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