Would be nice if you guys allowed using your SSL plugins on input channels to record with..maybe a SSL 12 DSP version or big six DSP version....like uad
Hey guys, could you please make a video that shows the complete process for sending outputs 3 and 4 with a piece of stereo outboard gear, and then back in, to print the processed signal. I’m missing something about this process and just can’t seem to get it right. Thank you so much. 🙏 😊
Hello from Dublin, I hope you are well I hooked up my Bass Guitar to my new SSL12 today and connected it to my DAW (pro tools artist) and monitored it via Headphones. Unusually, while the Bass tone sounded really great on my headphones prior to hitting “record” on my DAW, once I actually started recording, the Bass Tone changed significantly and emanated a very “hollow” sounding tone. Even more unusually, I went ahead and recorded anyway, and during subsequent playback, the tone sounded great again, exactly as it did prior to the recording. So I’m wondering, why does the great SSL12 tone that I’m hearing in my headphones reduce in quality, once I engage the record switch on my DAW?
I purchased the SSL2+. Does it not come with this software to control everything from? Surely it's not just the hardware and some limited control panel?
Hi, if anyone from ssl reads this could you add Harrison Mixbus to the DAW configuration section on your 360 app? Not a big deal but I bought a SSL 12, and am looking forward a great future together 👍...
I'm running SSL 12, Pro Tools 12.8, and with no tracks inputs enabled, I'm still hearing my guitar input, almost like a mix knob that's not set correctly. If I use an amp sim, and enable the track input, I'm hearing the processed and unprocessed sound? What's wrong here?
Why would I make seperate routings for each input to monitor output in a DAW (for instrument and vocals) when I could just sum the master output from my daw to the Monitor/Headphones output just like any other regular interface. What is the benefit? Almost zero latency?
I sure wish the entier bottom 50% of the screen wasn't blocked with french lettering. Are there versions of these videos where I can see the whole screen?
This was covered in the video in the Loopback section but you actually have two options. Although the naming might be different, these steps should work for most, if not all of the Loopback functions of any audio interface and its accompanying mixer software. 1) You can do as they suggest in the video and, on the Loopback channel, MUTE the outputs from your DAW that feed the L/R Bus and directly monitor the computer audio source through the PLAYBACK 1-2 inputs in 360, which will naturally feed the Main MONITOR out (L/R). This way, you prevent the DAW stereo out feeding back into the computer L/R audio (source audio for Loopback input). 2) You can route the Loopback channel into outs 3/4 (5/6, 7/8) of your DAW, which would show up in PLAYBACK 3-4 (5-6, 7-8) in 360. Disengage DIRECT on that channel so the audio routes through the Main MONITOR outs of the SSL 12. Also in 360, press the CUT button on PLAYBACK 1-2 (and turn the fader down for good measure) to avoid phasing of the audio from the directly monitored 1-2 audio and the slightly delayed 3-4 (5-6, 7-8) audio running through the DAW. This method works best if you need to hear the audio running through your DAW's plugins.
Why no mention of the front two line level inputs? I assume the SSL12 has 6 simultaneous analogue inputs right? Strange that they aren't set up in software in this tutorial.
Don't you guy think gain range 62db is low? Other interfaces are sound 75db gain range... my Audient interface with gain is 58db and when I record acoustic guitar it is too low... I used SM57 mic for that
sadly, I understand very little of what you are saying.. I have the SSL12 and am using ableton. I have a doubling of sound on the headphones, as I don't know how to just get the monitoring from the DAW, rather than getting the monitoring directly from the SSL. What I mean is this: When I plug a guitar into the SSL I immediatly can hear that guitar via the SSLs direct monitoring. However, when I open Ableton and now play the guitar I hear the guitar twice, as I cannot disable the direct monitoring from the SSL (or don't know how to..). Can somebody help me here?
@@Mikas_Emil hello mika, i have the same problem but it don't works... it's horrible , how i can directly listenning my daw and not the SSL when i'm recording?
@@Mikas_Emil i had same problem, i just figure it ouy, You can with just plug your output jack speakers on 3 and 4 on the ssl 12.no in 1 and 2 and you can control output 3 & 4 on ssl360 soft, u won't hear a double sound anymore.
