They are all absolute masterpieces, transcendent, epic, emotional and powerful gateways to deeper meaning. Can't wait to share this with a friend of mine who adores supersaws
1 and 2 are pretty close. But in general I would say they all sound good in their own way. It really depends on the type of song/section you are planning to maake.
4 is the best one just because it has a very cool use; you can use it in an intro to a song but use another one in the chorus/drop (1 and 2 are good for that imo) which is awesome
1 and 3 sound similar, open, creamy and round. 2 sounds more angled but flows easily anyway. 4 sounds grainy, feels choked but feels like it wants to explode later 5 is the widest one, vibes similar to 2 but it's a bit bigger
I would say 5 for 'rave'nous type detuned sound, but then again it's not really a saw is it. I really like the added timbre of 1 that 2 doesn't have, but I'd have to listen with my beyerdynamics to truly judge.
@@connorlewis2517You are not wrong, be he also kinda isn't. If you zoom far enough into a DIGITAL wave to the point where you can see the nyquist frequency you will actually always see a sine, because the sample rate isn't sufficient to show more detail so there is sinoid aliasing between the samples.
They are two square waves in AM Mode with detuning(duty cycle modulation) It's the lead of c64 or atari... basically, It's not a supersaw but it sounds similar xD
Unison method doesn't matter, only the synth/VST selection. All synths can create saws, but the best for Trance/ EDM tend to be warm analog synths with internal tape saturation and pitch drift (Sylenth1/ Diva/ Dune 3/ etc). ..... TL;DR just use an analog synth.
@@PennDrakenbro, diva's tagline is literally 'the spirit of analog.' And is exactly what it aims to do... Is being so confidently wrong a superpower or something?
