Great job Mike! I've been waiting for Daytripper. I thought I played George just right, but as usual you find the little notes & riffs that George does and only dogs and Mike Pachelli can hear! And you're sure he used the Strat? I've seen others say it was the Casino or even the Tennessean. But you DO have the right sound, soooo....winner goes to Mike P!
Mike Pachelli must be one of the very best RU-vidra at breaking down the guitar tracks ! Fabulous quailty presented in his inimitable style! Ty! ❤😂🎉😊❤😂
If it weren't enough that you give us all the guitar parts down to the most minute details like when someone does NOT play a particular chord or string in a chord, but then we get to watch your soundalike performances, which are a pure JOY for me to watch. I have to watch several times, because I'm so interested in all the different parts. Thank you!
Awesome as always Mike. Lennon’s unique rhythm style makes the song drive and thrive. Genius chord progressions along with how he brings out individual notes and sounds. Plus his strumming style is so distinct which to me is superior compared with other players and groups of that era. He was such a force. You help us notice and reinforce our respect for John Lennon as an innovator on the guitar. Thanks as always Mike!
Mike, your breakdown and performance of these Beatles songs is always spot on and amazing to watch! Thanks so much for keeping their music alive and well. Hope that all is well in France! 👍👍👏👏
Oh-boy, oh-boy, oh-boy! Mike has a new one out! Every time you break dow one of my many favourite Beatles songs, some things (and often a lot of things) are revealed that I haven't grasped for the last 50+ years. It still amazes me how some sounds are actually put together by their parts. In this case the solo/bridge - which I've always enjoyed immensely, but now have another level of insight into. And those pick-aparts never "destroy" anything. They only add to the value. Thank you, Mike!
That was brilliant!!! The soundalike was a bloody marvellous cover in it's own right. Your wonderful unselfish musicianship illuminates the Beatles own unique, musicianship. Thank you so much.
Fantastic video Mike! Loved the re-creation at the end. Great point about how well the guitar parts mesh and drive it along. The bridge is especially good.
I stunned by how close the main riff guitar's tone matches the original recording. Like, it's shocking. Very impressive. Thank you for yet another (typically) thorough and helpful examination, Mike.
@Raw - Thanks, I appreciate your ability to hear the similarity of tone. I spent a LOT of time experimenting with different guitars, mic placements, various pre-amps and compressors to find that sweet tone spot.
Your Best vocal on a Beatles song.. in my band (68- 76) I played lead and sang it too... it takes a lot of practice, it then afterwards it comes natural if ? You were a Beatles music freak as I was .. LOL!! Great as always Mike!!!!
An iconic riff, an iconic song by an iconic band, but also an iconic way to explain and teach the guitar parts, and an iconic sound-like...Mike thanks for this really great work....
For most of my life, when the opening riff is played, audiences go wonderfully crazy. I'm rather cheered that John's rhythm work followed his great work on I CALL YOUR NAME and YOU CAN'T DO THAT.
Mike, in your playing career, when did you learn this song? Was this one of the catchiest Beatles' songs you heard, and how influential was this song compared to other songs were learned?
BernieW's earlier commented about the great bass playing. Yes. And I find your drum work is yet another integral part that drives this song forward in power-mode. There are so many previous songs that I think of as "Every Beatle Is Integral" and DAY TRIPPER is one more, but maybe I think of it first in that list. How could that be done without Ringo's opening power-up run and all the other - even the tamborine work is all-but-required for bands.
@Cbcw - I learned it in December of 1965 when it was first released in the USA. It was QUITE an impressive feat to be able to play it back then. I got my sister her first date 'cuz I made a deal with a boy she liked that if I taught him the main riff - he'd ask her out - True story!!
@@MPfrance And she's forgiven you? Er, at least let you LIVE?!! ha ha... I'd love to hear a personal anecdoate about your learning and/or playing experience with each song. Our band has 4 veteran musicians that are virtual jukeboxes. Plus we've got 300-400 own compositions for any setting. But I'm a relative baby in this stuff, but I am always blown away when our band decides "This audiene is now tired and dull - let's crank 'er up with ___" some standard opening riff. And watching the excitement spread like fire. Or occasional shockwaves as they are concussed awake again. I love seeing that audience reaction. I'd love to hear a performance-tale or goofs and re-learning experiences about any of these songs.
@@MPfrance Mike, I would not have guessed that you are the age you state! I’d never put you a day over 40! I guess playing Beatle songs keeps you young. And that is a cool story about your sister.
I got the 45 with the two songs for Xmas, 1965. So did my lil sis along with a small record player. We got it all early to help us get through the death of our mother.
Mike , thank you so much for your amazing videos where you teach every part of the great Beatles music and give us the back stories .. your contribution to music and music history is un quantifiable. Your playing and singing is magical…thank you so much 🙏🙏🔥
Hello Mike! I don't know much about the guitar, but for some nutty reason I enjoy your videos. Maybe it is simply how much I enjoy these Beatles songs. Not alone, but together with your explanations it is so, so good. And your sound alike at end is outasight. Pleasure. What a talent you have.
Mike, I'm not surprised the algorithms are going after your sound-alikes and especially this one. They just keep getting better and this is the best one yet. I too am blown away by your combined bass/singing skills, but also the rawness of your lead vocals and the feel of the drumming. As always, your lesson has given me a deeper appreciation of a much beloved song. Although it's the lessons that have made me a longtime loyal fan of yours, I will miss those sound-alikes if you should drop them. Thanks again, Mike, for another magical trip inside the music.
The F#7 reminds me of “I got a whole lot of things to tell her when I get home’’ As usual Mike a great job teaching this song from the back story to Ringo’s drumming! YOU ARE TALENTED AND GIFTED MUSICIAN AND A GREAT GUY!!!
One of my favorites from the first time I heard it long ago, Thanks Mike I 've been looking forward to this one, and great lesson and performance as usual.
Another excellent job Mike, you really invest the time, resources and your talent as a musician to make these productions in a class of their own! Thanks
The guitar riff was the first thing I learned to play on guitar. I was shopping for my first guitar in 1987 and the salesman taught it to me. It was on a Korean made Squier Strat, but I didn't know George played Strat on this song (or any Beatles song) until a couple of years ago. I still have that Srat - my favorite guitar because it's so easy to play on.
Here it's another example of Mike Pachelli at his very best, thanks so much for such a stimulating chart! As regards vocals, maybe it should be noticed that though the song is John's, the first line of each verse is shouted by Paul, perhaps simply because John could not sing that high?
Fantastic as always! I never realized Lennon was doing the rhythm like that in that position….you really get Maximum Rick 325 on this. He really worked it kind of Stones- ish .That Riff.! I hear the “Watch Your Step” influence on I Feel Fine but not on this one. I wonder If George refined it? Lennon’s primitive R&B style on Rhythm really drives it ,then that fantastic riff..I actually relate the influence more to Orbisons “Pretty Woman”..it is unique though…a good mashup can be done of those two songs..Day Tripper and Pretty Woman..I have done it! Thanks.
@@MPfrance Mike, Your dedication to making sure the songs are expertly done, is the reason you have legions of fans. You are always note for note perfect. And you play EVERY instrument. This channel is the only one I use to learn The Beatles. Mike, what you provide for us is FABulous. Thank You.
