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The vocal compression technique that all the pros use 

LEWITT
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In this video, Brian shows you how to use parallel compression, breath control, de-essing, and more for vocal production.
▶︎Chapters◀︎
00:00 - Intro
00:23 - What is parallel compression?
01:54 - How to set up parallel compression
03:16 - How to add a gate or breathe control
04:41 - How to boost the high end of the compressed track
06:10 - How to add a de-esser
07:09 - Outro
▶︎About us◀︎
We're LEWITT, an audio company based in Vienna, Austria. We believe great sound is for everyone, whether you're recording at home, on stage, or in the studio as a beginner or professional.
www.lewitt-audio.com/​

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5 июл 2024

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Комментарии : 9   
@Vesohag
@Vesohag 9 месяцев назад
Noooice!
@philburns5656
@philburns5656 8 месяцев назад
Great technique! Thank you!
@PooNinja
@PooNinja 9 месяцев назад
Accentuate without over slamming. 🤘🏽
@PatrickObiang
@PatrickObiang 9 месяцев назад
Bravo!
@LEWITT-audio
@LEWITT-audio 8 месяцев назад
Thanks for watching!
@ShiningHourPop
@ShiningHourPop 9 месяцев назад
Good tips. His album is very good indeed.
@RobYocum
@RobYocum 5 месяцев назад
Where can I find it?
@houseofjesseworship
@houseofjesseworship 9 месяцев назад
So when using this technique on Vocals, how much compression would you generally use on the "dry" vocal? I typically use serial compression on the main vocals so how much would be too much if you're mixing these smashed vocals in as well?
@LEWITT-audio
@LEWITT-audio 9 месяцев назад
Good question! There are no real rules here. But you can think of it similarly to serial compression--if you using multiple compressors then you are probably compressing a bit less on each one. And similarly, if you are using parallel compression then you might compress less or not at all on the dry channel. The important thing is to play around with it to see what results you get, and if it sounds good to your ear!
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