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I would like to know how many reference tracks you have or need? One per Genre? Or one for the Kick, one for hats etc. and by the way you doing a great job! Greetings from Germany ❤
This has helped me as I have ADHD and I need structure like this formation.I seems to get carried away. Thank you so much you don't know how much this has taught me.
great stuff will, thank you for everything you do, much appreciated! Keep it up my man, you're sculpting the new generation of music producers, hope you and everyone around you is doing well!
Wow, what a fantastic tutorial! I've always been intrigued by the sculpting technique in music production, and your video has really shed light on how to apply it. As it happens, I'm a music artist myself who goes by the name Mikangelo, a nod to Michelangelo's timeless genius. If you have a time, I would appreciate your feedback about my latest track! Keep up the good work! Can't wait to test out these techniques in my upcoming tracks! Mikangelo :)
@@mikem859 Thanks, man! I appreciate it! I started a few years ago, but it wasn't going well, so I almost quit. So, it's been about one year of really learning.
Somehow it has become scary for me. Whatever I'm struggling with you make a video about it right at that time. Thank you so much. This is really clever and useful.
This is my most favorite video you've created as of yet!! Thank you for sharing this concept. I was also thinking about if instead of just muting the note turning the note's volume down until it is almost inaudible(with variations), and use the lower sounds for texture and filling in the gap and not having to use an ambient track. This idea definitely got me thinking!!! 🙌🏾
You are such a wizard!🤣 Sounds great. Well done! What sealed the deal was at 6:17 when you added the melody line and it sounded arpeggiated in conjuction with the bass.
I 've been working _kinda like that_ for years, maybe not so extremely. I call that *"Substractive composing".* 🙂 And when I've carved out everything I needed/wanted, I add some extra bits here and there. Sometimes I even complete a lead's line with another lead sound, or split bits left and right.
@@poykehmusic LOL me too! I don't have many synths, but I've been building my modular synth for about 3 years. Otherwise I have 10 synths PLUS the Arturia MicroFreak, which actually counts for 6 synths alone😃. This little monster is amazing! I really built the modular one COMPLETELY by myself, no PCB/panel DIY kits. Just strip boards and the schematics from the internet. When I started I could only solder cables together, meanwhile I also dare to use SMD technology😃. I make the panels from aluminum cuts and because I have so little space, the drill press I bought especially for this is in the kitchen next to the microwave 😁. Everything for the music!!
@@hughman8597 Awesome!. I'm following *Cusi Sound* on RU-vid, he has built a modular by himself as well. He made some +/-12v modules and some +9v modules. There are so many sources on internet. I'm still building small bowes and tiny synths, but I might up the level soon. Then modular should be the following step 😀
Pretty simple concept but it's always useful to memorize the process so you save time making your projects and focus on the important things. For future videos would be great to see how you make powerful buildups using filters before the drop like Camelphat do, dunno how they make them so powerful and surrounding.
I'd like a Camelphat "Silenced" breakdown. LOVE that track. Actually think the mix is really gritty and not fantastic. It must be mastered well. But it's sparse, but feels so full. Every part well chosen and placed to pull you through the song.
Interesting approach. I think this technique is best used when you don't have a plan or direction in mind i guess. I would look at it as a tool for inspiration where the famous little accidents happen :)
Smart idea! I also call this the kitchen sink approach or as Venus Theory puts it.. the vomit pass. This is where you spend an hour just chucking ideas at the screen, layer after layer with no real thought to sound choice or overlap. Hit record on a loop. Jam, improvise, find a single note and find rhythms you like. If you set the track to loop (in Cubase anyway) it will make separate recordings adter every loop so you'll have many many layers to play with and combine. How do you do scale tracking in Cubase (all notes you play quantised to the selected scale) Then you remove parts thst are useless, move stuff until it fits. Change octaves so things fit. Onky now, flick through presets to help blend layers.
I can't do the scale isolation thing. I need the unused internals there so I don't get lost between my thirds and fifths etc. And what if I want to use a secondary dominant or an accidental (which is inevitable)? Now I have to carve out an exception. No, I think you're actually just reducing the number of chisel sizes you have. But that's just my taste. Great tip video as always, Will.
Your videos are awesome , I've improved so much with these videos. I'd really appreciate if you went over the Chemical brothers' new material. And TYSM for sharing all these with us.
wait, i've never seen the drums arrangement window like that, where the drums are at top and selected like a drum machine. how did you get it that way?
I like to see if a music tutorial maker has made any good music then I’ll try to follow their tips. I tried to learn from Andrew huang but his music just doesn’t sound that great… so I stopped really following his instruction
