We are Anchor & Veil Photography! We want this channel to educate, inspire and entertain! Follow us on our journey as we have created a quarter of a million dollar per year international wedding photography company and we are on our second year full time! Like, Comment, Subscribe and ask away! We want to help you grow and follow your dreams!
The hell with the vendors. It's RARE for me to meet vendors without egos. I'm in L.A., so that's a contributing factor. lol In all my years, I have yet to receive a mention, let alone a referral from any of them.... even though! I have sent a fair number of recs their way.
One thing i started doing is rating shots in-camera during the day. If i have a moment where nothing is happening I'll scroll back the photos on the camera and rate anything I shot since I last rated. When it's time to do the selects for the slideshow, I show all the rated shots, then I only need to add any shots that I feel is needed to round out the slideshow. Makes the selection process so much faster.
Being that its very bright outside and the items are right up against the window with full sun coming in the shot is probably already over exposed at iso 100 f2.0 and shutter say like125, so he most likely had to bump up the shutter to 640 to reduce the light in the shot to be properly exposed.
Hahaha. I know Ryan and this is how he taught it to me. We used to have to export jpgs and use a 3rd party app before photoshop and Lightroom built it in. 😂🤣
@@Devin.robinson1 I've seen him describe it videos several times, and the wiki confirms it: "The Brenizer Method, sometimes referred to as Bokeh Panorama or Bokehrama, is a photographic technique characterized by the creation of a digital image exhibiting a shallow depth of field in tandem with a wide angle of view."
IMO, Back button focus will always be inferior to back button lock. Not only is it slower in a split second situation where my finger presses and the camera focus/shoots; In a moving subject situation where eye detect isn't getting it and I need my thumb to move a focus point, it's unavailable.
nice and meaningful video, but all these 'stop and go' to explain the process are really feeling a bit redundant, like breaking the otherwise enjoyable flow...
Why not merge the photos first then edit? That gives you 1) the same consistent editing in your prior method 2) lets you edit lightscape if needed afterwards if needed. Seeing that you edited a bit after the merge anyway, won't that just save a bit of time on the workflow?
I have an engagement shoot coming up so I have been looking for tips and inspiration. I saw the 1-1-Six tattoo and realized you were a believer. So, I had to gone subscribe!
not that it significantly matters as far as the amount of work goes, but why do you synch the setting for all the individual photographs, instead of just synching it once with the fully merged one?
One reason you want to do it this way is if you have to clean up vignette or any barrel distortion from the lens. If you leave those in, the dark corners and repeated distortion pattern make it more obvious that it's a composite of several images and it can ruin the effect.
