This channel is all (Mostly) about landscape photography. Follow me as I venture in to the outdoors, sometimes in my camper van and sometimes in a tent, to photograph some of the most stunning landscapes in the world. I shoot both film photography and digital photography place a strong emphasis on being in the outdoors.
Your rage of the OP3 failing at such an important time comes across very well and I can appreciate that anger. However the OP3 is compact, lightweight and a good all around quality camerafor us non professionals.. I would be making the same video if it had done it to me. Thanks for the entertaining video.
I bought the pocket one and despite me using and abusing it even in light rain, it still works. When the action 2 came out I bought one and it refused to connect to any phone and it bricked, so I thought maybe I got unlucky and got a bad egg, returned it, tried to connect the new one and on attempt 3/5 to connect to my phone I contacted customer service and while they were walking me through the exact process I'd already tried that one also bricked. Returned it, got a refund and bought the Insta360 One RS which connected instantly with no issues. Needless to say that experience didn't fill me with confidence to buy more DJI products.
Really different and refreshing. Reminds me of first trying ICM in my panasonic! What I'd like to know is is it possible to get an infra red filter for my camera to try out this format.... and does fuji have an infra red mode simulation in their cameras. I'm trying to buy a used st-2 at present but can't find one yet
Sorry it failed you in a critical moment, but I honestly think the failure of the device is due the the conditions you're bringing the camera into. I think its performing way better and beyond the general intended use for the consumer they aim the device for, but saying that, they should may a pro version of it.
when you say flat profile, do you mean flat as in color? Because the first thing I noticed right away from the clips of your vlogs was how dull the colors were and it was worrying me as I'm looking to buy one lol
On the issue of equipment - You can do wildlife photography with all kind of gear ranging from your cell phone to action cameras to 600mm lenses. You're often really only limited by your imagination. However, one must always take the subject into account. There are times where it's prudent to just walk away. And in other instances (think with bears and other predators), longer lenses are typically required. So, pick your tools depending on circumstances.
I'm done. Third week in a row that the background music is so intrusive that the video is worthless: Actually I'm not done. Tom, I've watched your videos religiously week after week for years. Something seems to have gone wrong in the past couple of weeks, I'm not sure if its your editing or if youtube has changed something, but when you're talking the background music is incredibly distracting. This week its jazz, last week it was something else. It might be because I'm using headphones, but I'm not the only on its effecting. If you read the comments there are a number of people mentioning it. Your videos are fantastic, you don't need the music, it only detracts from your message.
when it comes to photojournalism zero editing can be allowed because it's not art, i's journalism and documentation of reality. edited photos can no longer be trusted to be a depiction of reality. cleaning up the rubbish? absolutely not, that's manipulation of reality. cleaning up the foot? not okay
Back when I was making a living taking snaps, I knew a landscape photographer who kept a shovel in the boot of his car to dig up and shift or get rid of unfortunaely places bushes and foliage .... I gave up photography shortly after it went digital as the job had lost its interest.
have the (through the material) light leak issues with the Noble camera been resolved? it seems you got a prototype and the issues started with the production line.
Taking most of my pictures over the ocean, a lot of my work is f8 or higher except for cloudy days. I shoot iso400 film, have not had the chance or finances to get iso100 or lower as of yet.
I’ve been following you for 4 years as a landscape photographer and about a year ago I began to move over to wildlife photography, mainly birds, so I am super excited to see how your journey progresses. Loved this video and the tips you and Simon were giving. I’m unlikely to visit anywhere outside the UK so will be restricted to local wildlife but this week I got my first Cuckoo and that was a real thrill. I’m looking forward to further compilations, maybe Rachel Bigsby? Thanks again for a great video 😀
Don't worry Thomas I smiled when Simon said tits too! 😁😁 We're so juvenile, we really are! I'm mean, I'm 51 for goodness sake! I take a lot of photos of Swans. Mainly because they are easy to find. But I understand what you were saying about taking photos of the things that are indicative of the species. When taking photos of the Swans, I like to emphasise the long neck, for instance.
Quite funny, Before this video, I watched Simon's video on landscape photography with Thomas. Thomas suggested a 100-400mm lens for landscape and now their talking about the advantage of using a shorter lens for wildlife photography to show the animal in its environment. It is contrary to general belief, but it makes a lot of sense.
Good for you <3 Your experience in landscapes will bring a new quality in today's wildlife photography, as you can already see :) Can't wait for more episodes showing this journey <3
Outstanding chat between two incredible photographers. I’ve learnt so much from both of you over the years, this one was just fantastic with great tips. I just need to go out and back away from 500mm when I can.
I know this is an older video but in case you do read this...I really enjoyed your bravery in taking us along with your journey in Iceland. An amazing trip surely but filled with pressure as a professional who needs to perform. I do understand. But for me, inspiration sneaks up and surprises me when I'm not looking. That's when I force myself to pull over and make it happen no matter what the cost. Waiting for the turnout never works! When you see the shot, you gotta stop! But for me, driving around looking for it never worked. Much love...
Hey Tom, new to this channel, and I really liked the video and your work! One comment on this video: the color grading looked a little flat to my eyes.
I have both the 24-70 f4 and the 24-120 f4. Sometimes I want the smallest profile and weight so I grab the 24-70. Otherwise, the 24-120 is the ticket. The 2.8 lens is just too large and heavy for my needs.
