Тёмный

Catalinbread Adineko Oil Can Delay Guitar Pedal 

musictoyznetwork
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Catalinbread began working on an oil can delay (later to be named the Adineko) in the Summer of 2012, about the same time they were working on the Echorec. They identified a number of very cool behaviors of the old units, though the differences could be dramatic from unit to unit, or day to day (even hour to hour based on the temperature of the oil). The positive behaviors were a cool, bright, but murky sounding echo with a vibrato modulation that lined up with the echo time, and a repeat quality that had a ‘fog’ that hovered in unique way.
You will notice that each of the Adineko cases have been aged. It just seemed fitting for this, which is inspired by the old oil can effects, to look physically weathered and a bit stained.
As they always strive to do when making something old, new again, Catalinbread wants to honor the old experience and expand upon it. The Adineko is no exception: the murky warble of the old units, traditionally only achievable when the oil’s thickness is incorrect, can be conjured a twist of the VISCOSITY knob. The warm echo quality has an expanded range of delay time (TIMING knob), more so than any oil can unit could ever hope to achieve. The dual playback head is continuously balanceable (BALANCE knob) to favor one head over the other for interesting syncopation feels.
The Adineko can achieve authentic oil can sounds, but is designed to mode the mechanical concept and deliver results well beyond what was possible with the original units.
To dial an authentic oil can sound:
TIMING to 9-10 o’clock
VISCOSITY to 9-10 o’clock
REVERB to the verge of self oscillation
BLEND to 12 o’clock
BALANCE to 12 o’clock
Now you will hear all of the hallmarks of an original oil can unit. A relatively short echo time on two taps, a vibrato in the concert with the delay time, and a reverb that sounds like a low lying fog coalescing upon the verge of a self-oscillating resonant point. To get the vibrato sound of a Tel-Ray Deluxe Organ Tone, use the above settings, but turn the REVERB down and the BLEND up to taste.
Must be powered with a center-negative, regulated 9 - 18V DC external power supply.

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20 авг 2024

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Комментарии : 12   
@stk7778
@stk7778 4 года назад
that first tone is the best ive heard in all the demoes
@larrytaylor935
@larrytaylor935 8 лет назад
Catlinbread hit a home run on this pedal I think
@IRONSILVER22
@IRONSILVER22 6 лет назад
This is easily one of my top pedal demo's of all time.
@blackcreekmusic783
@blackcreekmusic783 2 года назад
It doesn't seem to be as popular as the Echorec but I freaking love mine! It might not be to everyone's taste but I like variety and having different kinds of delays, but particularly old vintage style delays. Digital has t's place but this stuff just has the character and charm!
@mattchilled
@mattchilled 7 лет назад
Very nice ambient delay, sounds like it has bit of reverb in there too!
@eventidewinds
@eventidewinds 8 лет назад
Great review! Made me buy this pedal!! Thx
@mikeroadblock
@mikeroadblock 8 лет назад
Great job buddy!!!
@nhdyz
@nhdyz 7 лет назад
feedback is not really reverb but i get it
@ggvbeer4339
@ggvbeer4339 7 лет назад
is it 100% analog ?? ..... true bypass ??
@rogier5591
@rogier5591 5 лет назад
Does it sound good?? .... Can you use your ears?? .....Have you been drinking again???
@SilentJayBird
@SilentJayBird 3 года назад
The only actual analog delays are the mechanical ones, using a magnetic medium for delay memory. Even the 70s & 80s "analog" Memory Man delays are chip & transistor switch-based (bucket brigade - BBD). It's fair to state that the analog classification isn't correct with the BBD design. ---- The Catalinbread Adineko uses digital means to apply it's processing to the input signal. Gloriously, I'll add.
@emiliomartinchica8680
@emiliomartinchica8680 Год назад
@@rogier5591 no need to be rude but... LOL :D
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