CORRECTION: The diagrams in my video for pro-tips 3 & 4 are switched-so the knob positions I show for #3, Haunted Room, are what you should use for #4, Time to Get Mangled, and vice versa. Sorry for the error. The info in the video description is correct if you just want to use that.
dude I was just helping my parents clean out their storage unit in NJ, which has a lot of my junk from high school, and I found my old TI-83 in a box, and I FLIPPED OUT. I was not ready for the wave of core memories that got unlocked so quickly. anyway thanks man
thanks, that one is my personal fave. it started out as a cover of this song but then it sort of became its own thing, but the chords are still the same: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-INbgG9M0WYE.html
So good that you put in copeland‘s „double time feel“ backbeat at the end of protip 1! Love when Stewart does that in the recording! And congrats on being part of this! Amazing!
This is just such a great demo video. A brief explanation of what each setting is going to do, a quick diagram to show the exact knob positions, and *then* a cool little jam showing each idea in context. On top of that you have those cool pixellated videos over each piece of music. Hats off to you sir!
I love your strange pedals that expand the boundaries of what you can do with a guitar. So, I love your channel too. So many demos are just random noise making that really do those pedals a huge disservice. Giving actionable ideas and creating musical expression from the obscure or unusual effect is a the mark of a true musician/artist. Thanks
These tips are incredible, unique, and inspiring. Anything that offers the possibilities CB does can often leave one immediately confused, frustrated, and then inevitably reaching that plateau and mastering, putting it away for later days, or just straight out giving up. You’ve turned the pedal inside out, embraced it for many of its functions that haven’t been widely explored, and seriously showing its hidden capabilities. I am impressed. Got anything on the Empress Zoia?
Yeah dude I was actually a late-stage beta tester for this pedal. All I was doing was looking for bugs basically, and I couldn't find any (and if I had I probably would have liked them and used them).
Great content, as always. When are we getting another AMA? I've enjoyed hearing about your approach to making music and it shifted things in my mind emphasizing being creative over making the same sounds other artists have already done.
The one-knob synth is exactly what the "spiral" effect in virtual dj 8 does, but for mic inputs. Sounds minor but I'm already thinking of the underworld-esque vocal trickery now at my disposal
@@CyberattackWorld Probably not enough Slayer fans watching whacky pedal reviews. Nonetheless, Keep up the great work, love your creativity. Take care.
Cool sounds, man. I do love the cascading arpeggio stuff you can get out of it that runs away and turns into crumpling foil sounds and then noise(just like the Blooper). Though what I love most is using scan and spread to compose on the fly. Like CBAs other recent offerings, it rewards time spent. Favorite CBA pedal thus far.
This is such a creative, awesome video. Love the art style and the jams and I haven't even finished watching the video and I have to comment with run-on sentences. I would LOVE to know where that bass sound came from in the 1-knob synth/OP-1 jam. I LOVE IT! This is inspiring!
thanks man, that bass sound is 2 different synth basses in GarageBand doubling the same part in octaves. i programmed them using MIDI bars etc., all inside GarageBand
I’m liking this just so I can come back for the settings even though I don’t own this yet. Had me at pitch shift. When will Fender release an Andy Summers Roland synth guitar? That teenage engineering might even be more expensive than the habit. The habit and the death by audio echo dream could get trippy together. Stepped! Not Johnny Marr arpeggios.
Bit late but between this and the merris lvx what is your suggestion? Also will all these pedals stand the test of time or like the multi effects of yesteryear will end up in pawn shops for 100 bucks and we would have been better off buying more metal zones?
I love that pedal. I don't own one, but my producer does and we used it all over this track, with no clue what we were doing with it: cyberattack.bandcamp.com/track/i-just-wanna-talk
You should do a How to Be Advanced on the Boss Sy1/200. It is a phenomenal pedal with many great sounds. Just found out you can actually emulate a bitcrusher as well as make synthpop sounds like Beach House
So if I play samples into the habit it will record my samples and loop them? Im trying to understand how this thing works. Every video I've seen it pretty much sounds exactly the same. Not the settings but the sound itself.
You can play samples into it, as long as you can get your samples onto a guitar cable, and then it will mangle your samples and basically Chase Bliss-ify them. I think if you approach it as a way to mess up your samples, you'll be more satisfied than if you look to it to be a predictable and consistent looper.
It's a custom guitar I had built for me by Alex Glasser at Iron Horse Instruments. I love the mockingbird shape (and I have a BC Rich one) so we copied it.
thanks, it started out as a cover of this song but then it sort of became its own thing, still the same chords though: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-INbgG9M0WYE.html
In this case I can't argue, but a lot of their more practical effects are worth the $350 price, because of the tweakability and the dipswitches, allowing you to customize your ramping with an expression pedal all in a small footprint. They can do what the much much larger footprints can do. But ya the habit is just ridiculous
