Daru Jones' Paiste 12" PST X DJs 45 Cymbal Set 

his fav words

a lot of people make that comment, but I honestly don't see him bending over or straining much. Time will tell...!

Se sienta alto.

Both are great bright-sounding cymbals. For a couple more options, check these out as well! memphisdrumshop.com/paiste-18-2002-big-beat-cymbal-1068518-1030919k memphisdrumshop.com/paiste-18-fomula-602-heavy-crash-cymbal-1041818-1052020k

@@memphisdrumshop Those 602's sound amazing, but I really don't want to have to mortgage my house for a cymbal. Haha! I was going for a sorta punk-ish trashy sound with the crashes, the ability to play a great bell on the hats (a reggae/ska standard), and a small ride that will contrast big deep drum sounds. I'm honestly afraid that the Big Beat and/or the 602 will sound too "good", if you know what I mean. Thats why I was leaning toward the Giga Bell (plus its two different bells to work with, which is fun). I was also, honestly, looking at the PST5 18 Crash/Ride. I know its not a great cymbal, but from what I hear it has a level of (for lack of a better word) "shittiness" that might actually sound match better with the DJ45's in a live setting. But I can't find a vid of the PST5 thats not mic'd up to death, so its hard to get an idea of what it actually sounds like, and my closest shop would never have it outside a box set.

@@memphisdrumshop Thanks for your advice, but the way!

It’s not meant to be used like a normal ride just to have a different sound, if you hear videos with the bass players or with music then you can hear how good they can be used

Peor es usar lo que usa todo el mundo y está archi escuchado ya. La batería es el único instrumento donde puedes sonar personal, pero la mayoría de los baterísta intenta sonar siempre lo mismo o copiar lo que "funciona". En la percusión los sonidos "bonitos" no interesan, o no son determinantes, mejor dicho. En la percusión y la batería lo que vale es sonar de la manera más personal y original posible y eso nunca lo conseguirás tocando lo que toca todo el mundo. Datu Jones, desde como arma la batería, su configuración, hasta como se sienta y lo que toca lo muestra como un músico original. Y eso es una búsqueda de años. Mira videos de sus orígenes cuando tocaba "como todos lo hacen" y miralo ahora y notarás la diferencia. Y eso es un logro: ser original.