How can people listen to her do this and not know how inspired she is? This is sacred music at its best. Roth is a grand organist - certainly one of the finest today, but Sophie is just something else! She makes magic at the keyboards ! No words can describe what she does!
Vous écouter en fermant les yeux nous apporte un grand bonheur une grande sérénité et nous amène au royaume du Tout Puissant en musique. QUE DU BONHEUR, CONTINUEZ, VOS MÉLODIES SONT MERVEILLEUSES MERCI
...there are times I wish I had a time machine to go back and hear Mr Franck improvise, I don't think I need one anymore after hearing Mrs Cauchefer-Choplin.
I have only one thing to say about this piece: Oh My God!!!!! Bless you Sophie. What splendor, what glory, what inspiration, what inguinity, what beauty, what honor, what high words can express..... THIS...... !!!!!!!! CVD
what a joy! A french improvisation that is quiet, musically interesting, and shows off the quiet stops of the organ. How nice to see her work on the Solo with just a flute or so. And there was humor as well! Of course she ends with a large, brassy registration. We don't want to see her drummed out of the organist corps, after all :-) But even then, she uses less than the "full" resources of the instrument!
Astonishing. The musical equivalent to a hand-loom weaver, and what a finely crafted creation. I adore the industrial nature of the Cavaille-Coll instrument; nineteenth century ingenuity at it's very best!
Madame!Il n y a pas d mots pour décrire tous les sentiments que j éprouve en ce moment! UNE GRANDE ARTISTE ! MERCI! Michel de Montreal Canada. vous serez accueillie majestueusement si jamais vous nous donnez l honneur de nous visiter à Montréal. Que Dieu vous bénisse!
Quelle éblouissante inspiration ! Bravo chère collègue... Frédéric Muñoz, titulaire de l'orgue petit frère du grand père Jean Pierre Cavaillé à Saint-Guilhem-le-Déert
Such beautiful music. Incredible improvisation. Great structure musically too. I love it when I get a new idea or inspiration for improvising from watching her play.
Sophie l'Impeccable. ÇA Alors! *structure/form based on a familiar-ish theme and subthemes. Stated and ever-so thoughtfully recollected, varied and timed. French style and taste about which the rest of us can only dream. "On va partir" @ 8'03" meaning "k guys we're gonna take off." Yaasss! If what I hear in that absolutely grand finale-movement is a highly personalized, intimate evocation of "Ave Maris Stella"....well there are no critical-analytical words for that level of not-heavy-handed depth. Possibly the most red-blooded, magnificent woman in the history of this fallen world--Mary the mother of Jesus--in a worthy collab with our désse Sophie. Feminism defined, of you ask me. *Those post-Fauré and post-Debussy modified scales and harmonic progressions, though! In her head (and yes: soul) as smooth as it gets. Beautiful! And full of noble emotive content that blooms more luminously with every hearing. With no score in existence to fall back on (?!) This is almost too otherworldly to believe. And yet: we see the miracle(not) before our eyes. *that teamwork between 2 guys and a natural-genius-woman will never be forgotten by this originary trio. Nor by those of us privileged (for the most part by technology) to have heard, understood, and felt what's going on here. Merci infiniment, Mme Sophie! Vos dons si gentiment offerts ne cesseront de nous enchanter. Et de nous guérir. Mark de l'Arizona aux É.U.
Oui, c'est magfifique! This improvisation is like an entire Suite in the compositional style of Durufle. I would be willing to comission someone to transcribe this gorgeous work to score if Madame Choplin would consent. When I next travel to Paris, perhaps I could meet her and inquire. I am serious, this improvisation is masterful and should be preserved in the Organ literature. I know a former student of Daniel Roth, but if someone knows Mdme. Choplin, please reply to me with your guidance.
Distinction, élégance, raffinement, intelligence jamais prétentieuse. Formidable ! A partir de 9:00, on sent bien que la marmite ne va pas tarder à bouillir. A gros bouillons !
As my German organ teacher (Hans-Hermann Kurig, 1914-2002) said, "one must have the spark." Sophie has more than the spark, she has THE GIFT. The gift of being open to the promptings of the Holy Spirit. Try praying for this; maybe you too will be blessed.
Would anyone with (perfect pitch and the requisite skill sets) be willing to transcribe this masterful improvisation to score. I would be honored to commission them and give compensation. Please reply if interested, and of course Madame Choplin would need to give her consent. My intention is that this gorgeous masterpiece be preserved for posterity.
You don't need "perfect pitch" (that denomination is stupid already) to transcribe. Some people with super accurate interval pitch will do the job well. And do not forget that relative and absolute pitch are working simultaneously too. Example: you can memorised some notes better than other and you will use both at that moment of your musical life.
Sophie Veronique is one of the very very few that can do this at this level of structural perfection. Many other 'improvisateurs' are just making big noise.
I don't know exactly what registration she uses, but this glass-like effect is usually achieved by using a 2' or 4' stop in combination with a tierce, quinte or larigot.
@@josephlindquist506 il tema comincia con un intervallo di quarta partendo dalla dominante, e si estende fino al 7° grado. in "o filii et filiae" il tema parte con una terza minore dal primo grado e si estende al massimo al quinto grado. Non c'è traccia del tema dell'"alleluja": non penso che sia come dici. Comunque grazie.
