In einer einmaligen Akustik-Version von "Heroes" hat der Vorjahressieger und diesjährige Moderator Måns Zelmerlöw doch diesmal tatsächlich echte Menschen statt eines Strichmännchens auftreten lassen. www.eurovision.de
What I really love about this performance is that Måns leaves towards the end leaving the kids to rule the stage by themselves, shining the spotlight on them instead of him.
Part of that was needed so that he could get changed into sightly more formal wear for hosting duties. But still, it certainly doesn't diminish the fact that the spotlight at the end is on the kids.
@@snufss yes and she sings the song “husavik” from the Eurovision Movie, and has also participated in the Junior Eurovision Song Contest 2006 and gave Sweden their best result (3rd)
Eurovision rules: 1.If People like a song repeat it in any way the next year. 2. If the people still like it put a bunch of kids in. 3. If the people even in the 3rd year or so like the song...you created a masterpiece. I love this song.
Rings true when you remember the 2019 "Switch Song" interval act when Mans, Conchita and Verka (along with Eleni, who came in second place in 2018) sang each other's songs. Best thing? Verka's song is from 2007 and didn't even win, yet it's arguably the most iconic Eurovision song.
@@chewbacca4403 Ist kein Playback. Sieht man an den Lippen. Und die Tatsache, dass er ein Mikro an hat. Aber ja, denke sie haben minimal live-autotune verwendet. Aber selbst dann: Vor so einem Publikum, in dem Alter und vor allem, er steht ja oft im Mittelpunkt. Die Choreographie ect. Alles Aufregung und Dinge die er gleichzeitig noch richtig oder gut machen muss/will :)
This man was born to be on a great stage. He hits every note & makes the right moves. When I saw/hear his performance & this song the first time, I respected it, but I didn't really liked it, because it was too perfect. But today in 2022 I understand that it's not bad for a song & a singer to be perfect.
This arrangement of the song is so beautiful, the finals arrangement is good and adds a modern feeling but I love the drama of the strings and how it emphasises Mån's voice
