Phil Hare gives his unique take on the relative merits of the much-used/abused acoustic guitar tuning DADGAD. Aided and abetted, it seems by plentiful levels of Merlot and the odd smoke! The guitar played here is a 'Catfish Keith Ragtime' (made by UK luthier Tony Revell in 1994) which blends in well with the conservatory backdrop!
9 июл 2008