Tonal, Modal and Polytonal ii V I Jazz and Classical Chord Voicing's

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This episode is a how to for ii V I chord voicing's. I explain how to construct Tonal (standard) Modal (Dorian to Altered Dominant to Lydian Augmented for example) and Polytonal (Abmin/Gmin to F# major/C major to E major/F major) in the key of F. These formulas can be learned and transposed into all 12 keys. Please refer to the previous videos: • How To Use Polyrhythms... , • Modal Mixture - Using ... and • Video
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Опубликовано:

5 авг 2024

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Комментарии : 88

@AimeeNolte 7 лет назад

Valuable valuable information, very well-delivered. 👏🏼👏🏼

@AlexanderKhanukhov 7 лет назад

Will repeat myself..This is Gold, the info you guys getting here for free is taught in best music schools over many years ..took me 12 years actually.... Take it while you can..Thank you Rick Beato.

@seiph80 6 лет назад

Alexander Khanukhov I am! this is the best thing on here!

@joethebar1 5 лет назад

Hi Rick- Long time veteran bassist here. Your videos are easily the best on the web. I study piano theory even though I don’t need it at this level; I pride myself in being the complete musician

@galgabrielisrael3237 2 года назад

Man the videos from the 2016 era are the best thing in the internet

@KennyMacMusic 6 лет назад

Wow. It is not every day you finally stumble across some high-level theory videos. Thank you Rick for providing all this. Really good stuff

@mybiggrin 7 лет назад

You are so incredible and so right. Every time I log into RU-vid there is a new video that you have made that teaches me something new and I've been to college for music! Thank you so much!

@SCOREWIZARDSMUSIC 7 лет назад

Polytonal ii V I blew my mind

@dougappel5924 4 года назад

Invaluable. This whole series is gold.

@reallyreallyryan 7 лет назад

Brilliant! I've stagnated currently with my piano writing, so I'm hoarding all substitution ideas I can get my hands on. Thanks, Rick! Keep the content coming.:)

@blindsteinofthemountain3831 3 года назад

I've seen a few of your clips. Always solid. I'm a songwriter/guitar player and I came here first after listening to a 20 year old Terry Gross interview of Dave Brubeck. I'll have to dig a bit further into your library. Thanks so much for sharing.

@crystalplanet09 2 года назад

These older vidoes are university courses in music and I love every one of them!

@carlosmontoyamusic 7 лет назад

Thank you very much, Rick! I've not seen anyone else explaining this concepts like you. Thanks again!

@videomauro07 7 лет назад

I'm going thru each one of your videos.... unbelievable stuff. Thanks so much Rick. That's all I can say!!!!!

@woytd6435 7 лет назад

same here, crazy amount of amazing knowledge!

@saadalhumaid8043 7 лет назад

Mauro Colangelo he so good.

@pwhi2251 7 лет назад

these are really the greatest music lessons i have come across.! thankyou rick

@RickBeato 7 лет назад

Thanks Camel! Have you subscribed? :) Rick

@pwhi2251 7 лет назад

+Rick Beato of course :)

@bobbybordbar2096 7 лет назад

This is Great! Thank you again Rick.

@kylebarnett350 7 лет назад

great lesson! pretty eye opening

@jonbrown448 4 года назад

I love your music lessons!!

@steelplayer118 6 месяцев назад

Excellent. Thank you.

@ObsidianLife 3 года назад

LOVE these vids! Thanks!!!

@JoseHernandez-vh1kb 7 лет назад

This is mind blowing material

@parkerpolen 3 года назад

Thank you Rick!

@stefanwagner8859 6 лет назад

very nice tunes!

@patbreacadh 5 лет назад

Great sounds! This is really amazing stuff. I like all you lessons, but the ones you do on the acoustic piano are my favourites. Not that I don't like the guitar, but I guess the piano illustrates harmony more freely and sometimes more clearly that the guitar does. I think the acoustic piano is an added value for the learner. I reckon most of us don't have an upright piano at home, not to mention a grand or baby grand. Those voicings sound really awesome with the dampers lifted.

@MrOzkarlopez 7 лет назад

I would like to hear more about those polytonal voicings!!! still can't get it how you come to those voicings with minor and major triads played together, x'!

@braddeathridge 7 лет назад

It's funny, I heard a bit of harmonic minor tonality when you were talking about secondary dominants and diminished sevenths a couple videos ago. Maybe that's just me though. I love your videos. Very inspiring. Thank you.

@diggyonutube 7 лет назад

Very Interesting!

@gregorio98000 3 года назад

Thank you :)

@manuel8887 6 лет назад

Amaj/Fmaj could be a Fmaj7(b13), which comes from the harmonic major scale.

@alsegno4347 6 лет назад

this is obviously a summary of advanced harmony I have not YET come to terms with, however I am working my way through the Beato Book. What would really help, for me, would be to hear the chords without the sustain pedal. It seems to wash out the tones, sort of like putting them in a blender. Just a thought.

@lukaszha8826 5 лет назад

The modal is surely exclusive for sophisticated ears.

@oettamo 7 лет назад

9:57 very important point! Thank you!

@oettamo 7 лет назад

True! But the important point is after that phrase!

@sandalero 7 лет назад

theory exists to descibe what people practically are doing. (at least in music ) and not the other way around. so rick describes stuff that people usually or sometimes do. and these people find it sounding pleasant. both the people that are doing it and the people that find it interesting to talk about the theory of it

@sandalero 7 лет назад

so "never been used before" should read "almost never been used before" i think

@toneseeker87 7 лет назад

i love you man

@grabas619 7 лет назад

"This is a typical G-7 voicing jazz player would play... it's actually a G-9". lol... jazz players.

@RickBeato 7 лет назад

+Rudolf Grabowski that's why I said it was typical:) haha

@solenelle 5 лет назад

It's a common approach to categorize chords as major, minor and dominant or tonic, pre-dominant and dominant for their function. 7 stands for any chord that has the dominant 7th in it. 7, 9, #11, 13, b5, #5 and more.

@Mellon5858 3 года назад

Rick, brilliant as usual. But give the sustain pedal some rest! Makes it blurry, at times, so didactically less strong if you wish to clarify complex sounds.

@anilec333 5 лет назад

Learn a lot

@danielmanahan692 7 лет назад

I know it is a bit of production work, but it would be really great to get a visual on the keys you are pressing. you are putting up only the Chords over the other Chords and anyone's guess as to how they are inverted. two solutions either angle the camera down to your fingers pressing the keys. or put up a graphic each time. easiest is to just angle the camera down. or use two cameras to see your face and one to see your hands. from this angle it is impossible to see clearly what notes are being pressed and follow such a complex lesson. great stuff as always. have to watch it a few times to wrap my brain around it. keep up the great work.

@RickBeato 7 лет назад

I have all the voicing's available for my Patreon subscribers but I want people to use their ears. But ok Daniel here's a little segment for you: Example 6:10 G Phrygian - Ab C Eb Ab over G octave C Altered Bb Eb Gb (E) F Lydian A B C G over F Octave 2nd x G Phrygian - Ab C Eb Ab over G octave C Altered C# F# A# C over C Bass F Lydian C F B over F and C Polytonal Voicing’s at 7:30 Abmaj/Gmin = Low to high G Bb D / Ab C Eb F#maj/ C maj = Low To High G C E / F# A# C# F# E maj/ F maj = Low to High C F A / G# B E

@edmccormack8032 3 года назад

At 7:33 - I think he meant Abmaj/Gmin is from G Phrygian? At 8:01, I think he meant to say Emaj/Fmaj is more of a "Lydian #9" sound (6th mode harm. min.)? At 9:20, I think he meant to say that Amaj/Fmaj comes from the six note augmented scale (F,G#,A,B#,C#,E)? I'm applying what I've learned from his ear training course and later youtube videos.

@SamWalston 7 лет назад

i wish i could see the piano

@feratgoogle 2 года назад

The dominant in modal leaving the 3d out: as Miles said to Herbie: " don't play the butter notes". ( at least that's what Herbie thought he said😀)

@juanmaidana8185 7 лет назад

This is great! Do you think there is any chance of taking this ideas and translating them to the guitar? I just don't know what would be the best way of getting those polytonal flavors without destroying your fingers, hahahaha. Maybe just playing a triad on the top 4 strings with the root of the other one on the sixth string? Think it would be pretty dull tho :/ Your videos are amazing, cheers!

@johnjacquard2182 6 лет назад

please do more polytonal lesson with bebop fine sir!

@SWillis 5 лет назад

I learned some of this theory some time ago-and appreciate the reup-but sometimes I feel like someone could accidentally sit on the keyboard and it be OK as long as a pedal is pressed and one ends on a I (or, I- maj7 or I-b7 chord). Can you show the keyboard and/or play it on guitar?

@sandalero 7 лет назад

how about D over Eb with Gbass for Gharmonic min? the Ebm one is new and fresh to me .-)

@lauriewinestock4195 7 лет назад

Thai stuff is SOOOOOO AMAZING!! I am a jazz composer and am learning so much from your youtube videos. How do I become a Patreon subscriber - I am reading the post below, where you suggest doing this in order to get your 'voicings' etc.

@RickBeato 7 лет назад

HI Laurie- You can email me at rickbeato1@gmail.com. Thanks! Rick

@terry3254 6 лет назад

I'm sure I've heard some of those chords on Pink Floyds Dark Side of the Moon. Am I right?

@alexandergadjiev3733 4 года назад

Hey Rick quick question : how do you choose those polytonal chords? Do you try to find a consequentiality also between the "added" chords?

@Maximuss1999 3 года назад

I wish you would use guitar for you music theory videos.

@donnellkennedy2492 Год назад

So Sunday morning by Maroon 5 is ii V I...lol got it

@Guilherme-nc5li 6 лет назад

But can all these modes on the ii-V-I progression, do they all belong to one scale or is he just putting them together because they have teh same harmonic function as the original progression?

@stynway59 5 лет назад

I suspect he's talking about the function withinn the human ear, not the mathematical relation on the page

@TheApostleofRock 4 года назад

Not a clue. But at least in the second polytonal example the roots of the left hand chord are a 2-5-1. Couldn't guess how he chose the other parts of the polychords tho

@huncauac2808 4 года назад

Hi Rick, how are you? Coud you explain the same on the guitar ???????? Pleaseeee!!!

@sandalero 7 лет назад

isnt Abmaj over Gm Gphry instead of g locr , rick?

@RickBeato 7 лет назад

+sandalero You are correct :) I was wondering when someone was going to notice that. Haha! I was going to correct it but wanted to see if anyone was paying attention. Thanks! Rick

@legatorecordsstudio4818 7 лет назад

I'd easily say that Fmaj/Em is E Phrygian (as I mostly used to be in "C major environment") ... but as about Abmaj/Gm - not at once

@MrFLAVIUS12 7 лет назад

Hi Beato,you know some pianist who use the modal voicings? Its a good sound. (sorry my english)

@RickBeato 7 лет назад

McCoy Tyner is one.

@MrFLAVIUS12 7 лет назад

Ok, Thanks!

@fiorpietro 7 лет назад

Rick Beato

@RizalBudiLeksono 5 лет назад

Can you release the sustain pedal?

@PaulTheSkeptic 5 лет назад

What does dominant mean? I know what a lot of those words mean. Mode, augmented, diminished, polytonal, Phrygian, Lydian etc. but I don't know what dominant means. What makes a chord dominant?

@stefanmuehlenkamp 5 лет назад

When it comes in and feel it has something very important to say!

@Docom13 5 лет назад

A Major chord with the 7th minor. ;)

@michelevalletta9451 4 года назад

Why does those modal chords sound like the mode? What is the principle? how can i build a modal chord without checking online which is it?

@leonardo_rossetti 2 года назад

Just curious: when does a modal approach to the various chords become simply using a lot of very altered extensions and viceversa ? Or for that matter, when does it become using different triads over a pedal tone that are normally avoided by the conventional player (the pedal tone being either the II, the V or I)? Am I right that the lines between these approaches are blurred and that it might just be a matter of how the player perceives what he/she is doing?

@Charlyfromthenuclearcity 7 лет назад

I think I'm missing something. I don't understand the relationship between the major modes and the one you're using. For example, F is first degree so Ionian, but you change it to a F Lydian Augmented. Is there a relationship I'm missing between these two modes ? Or is it just because you thought it'd sound good ? :) Thanks.

@Charlyfromthenuclearcity 7 лет назад

I'll check your linked videos to get some clues about this.

@545parsa 7 лет назад

FSBass it would just be a substitution to add some flavor to the regular I chord

@zenncatt 7 лет назад

I'm coming to a point that I feel that there isn't any harmonic device that you can't use - at least in an jazz oriented improv scenario. As long as we resolve nicely, it's all game. While that thought opens up a lot of vistas, it does kind of make you reel at the prospect of all that freedom.

@RickBeato 7 лет назад

+zenncatt now I know that that I'm doing my job well. Thank you! There are so many melodic and harmonic possibilities out there that have gone virtually untapped. Not just in jazz but classical music and Pop music.

@zenncatt 7 лет назад

You are indeed doing an excellent job, Mr. Beato! Thank you for doing all these professionally produced educational videos. PS. I think it is a good thing that you don't show the chord shapes, but rather give the voicing and the notes intervallic value in relation to the root. I personally find that more helpful than looking at someones hands. Thank you again.

@ranielyfire 7 лет назад

mind sharing some of those possibilities for pop music? it would be greatly appreciated!!

@jaytilson421 7 лет назад

After mentioning people don't really talk about the harmonic minor scale, you play a C harmonic minor scale...but isn't the voicing you are playing ebm/gm based on the G harmonic minor scale?

@kalM856 7 лет назад

uhhh ! cadê as teclas??? assim fica difícil

@Cursan 3 года назад

Tank you Rick for the vidéo but it would be better with less pedal. The resonance is disturbing the ears.

@lyndamcardle4123 3 года назад

Rick... I know this is jazz and I understand the ii V 1 (and the vi) concept and also understand the voicings and modes you use here (I even use some myself) ....however, this "lesson or study" is way beyond the comprehension of most musicians...you're just being too complicated ....which is when or why "punk rock" came in. As I recall, the late Phil Lynott once opined, that he felt that "sometimes you needed to believe you had to have a CGSE (grade) to play guitar !"