I don’t know if you’ll ever see because like someone else commented, it looks like you probably gave up on the channel. But if you do see this and you’re willing to return to it, you should consider doing these with AI used for the vocals. Because with the advent of AI covers, you could probably take James’ vocal tracks from AJFA songs for the voice you want the AI to replicate. Then you can plug the vocals from non-AJFA songs into it for them to be replicated with the sound of James’ AJFA era voice. You already got the sound of the music down to the AJFA tone perfectly. And with AI being what it is now, you can use that to take care of the vocal half of it all.
Came back after a while to say once again that the Justice tone is one of the greatest glories of all makind. It almost completely balances out the fact that there's pretty much no bass.
A lot of people don't know that the non-distorted parts of this song are the last song that Cliff Burton ever composed. When they suggest that James might go for this, it's very wrong. There's a reason they never play this live. It's too personal. It's Cliff's song.
Honestly, To Live Is To Die was a good precursor to the sound that was coming in the 90's.TLTD, and Harvester of Sorrow both could have been on the Black Album.
I love this, But to everyone saying its better bc the bass is tuned up, The bass is tuned down on the original as a tribute to Cliff burton, Mad respect to you Cliff you inspire so many people and you'll always be in my heart we miss you! rip dude❤
I know I’m extremely late to comment on this cover but, god damn, is it good. The drums sound absolutely massive and the orchestra mirroring the guitars makes the song sound so rich and full. To have all of that drop out for the interlude really makes it feel that much weightier. Not to mention, the production is actual perfection and is _exactly_ what I’d want out of modern Metallica. This really is one of my favorite covers of all-time. Amazing job.
