Thank you!

Thanks Gábor, it's true, luckily Tessarini was moderate here, he was really an excellent violinist and you can see it in his violin works. He also wrote some sonatas for traversiere, one seems approachable to me and I'm starting to study it.

Thanks for listening and commenting, yes I performed and recorded it myself

Grazie Ernesto, tra poco pubblicherò anche il dodicesimo concerto, quello per due viole senza accompagnamento.

@@MrFabio58bravo. Lo ascolterò volentieri 👍👋

Thanks Gabor, I am actually trying to study the Italian baroque repertoire for the traversiere, I have another Sammartini sonata ready to publish and I am looking for something else. Of course with this repertoire the difficulties increase, often you touch the high D which with the tenor recorder is a somewhat random note. We will see what I can prepare.

@@MrFabio58 There were two Sammartini brothers, the younger one is more inclined towards (early) classicism, and it is difficult to play the recorder, in some passages it is impossible (g''''). otherwise, Anna Bon is already late baroque, with many classicist timbres. What do you mean by upper d''' difficulty? Theoretically, it can be easily intoned on a tenor recorder, but there is clearly no d''' (worn out?) on some of used recorders. Additional fingerings are really out of the question on tenor recorder, as you can't hold the end of the leg with your knee.

Gracias!

Grazie Cao!

Cierto, excepto que Anne Philidor era un hombre.

Thank you for your comment.

Para esta grabación utilicé una flauta dulce tenor y un bajo, intentando acercarme lo más posible al sonido de la traversiere.

@@MrFabio58 Lo ha conseguido. Hermoso sonido. Enhorabuena.

Thanks for listening and commenting.

@@MrFabio58 You are welcome From A corner of Tokyo 👘🌸💮🍓👺🍇⛩️🍄🍥🥋🎎🏯🎋🌾🎴🥢🗻👹🐝🎍🍢🎏🍜🎑🌊🐮🍣🍾🔪🗡️🍒🏮🎌🇯🇵 These Emoji絵文字 are things unique to Japan

Thanks for the comment. I really like these compositions by Boni, I'm even perplexed by the date of composition around 1720, it seems to me that the style especially in the slow movements is more advanced for a composer in Corelli's Rome, perhaps by about twenty years. The splendid cello sonatas also have this effect on me.

Thanks for the comment. I'm transcribing some more concerts from this book, I'll see if I can record more.

Merci pour votre écoute et ce gentil commentaire !

Vous avez bien vécu et imagez votre ressenti. C'est agréable de lire ceci en écoutant l'oeuvre.

Merci pour votre écoute et votre aimable commentaire.

Oui....Chapeau-bas......BRAVO from Acapulco!

Thanks Gábor, If you mean the notes below F in the bass part....the usual acrobatics to make octave jumps as pleasant as possible

Thanks for listening, these pieces are taken from the original pressing of "Nopces Champetre", which should correspond to your "Die Landliche Hochzeit"

Thanks for listening and commenting. D'Hervelois' suites for flute and bass are perhaps rarely performed. However, a good composer of the French Baroque.

Thanks Hans Peter I wish you a nice weekend too

Grazie per l'ascolto e il commento.

Thank you for the gentle comment.

Thanks. It's a lot of work but also a lot of fun... especially when you listen to the final result.

I also discovered this author by chance, while looking for repertoire for the traversiere that can be performed on the tenor recorder. I also found some short trio sonatas, I'm trying to perform something to see if any of them are worth recording. This sonata is truly beautiful, it's a shame I think it's the only one known for solo flute.

@@MrFabio58Now I have also found Brivio's op.1 and 2nd sonata series in ISMLP. Indeed, they are little masterpieces, like small, modest jewels. From the first one, I played all of them, which can be played quite well with a soprano recorder, except for one or two sonatas, where the melody is very high (h''-cis''-d'''), obviously according to the flute trav. this is still quite good.

Grazie a te Cao, felice di risentirti!

Grazie a te per l'ascolto e il gentile commento

Thanks Gábor, happy to hear from you again, I had listened to one of these suites, I don't remember who performed it, so I went looking on IMSLP where I found the scores and the original editions of this and another book of suites for traversiere and bass. I will certainly transcribe some more, given the good level of this author

@@MrFabio58Now I found it too, but not by the author, but by the title. More exciting musical discoveries and performances!

Thanks Gábor for the comment. Yes, maybe I took the Allemande a little too quickly....🙂

Thank you Hans Peter for your always kind comments.