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OM System OM-1 Pro Capture Time Limits and Live Comp for Lightning ep.463 

Rob Trek
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00:16 I am trying to use Pro capture 2 and it is going to take awhile to get my muscle memory under control.
QUESTION....my understanding is that you can half press and hold. How long can that be done before I have to repress without having full pressed the shutter button. Does the OM1 just dump whatever it had taken during pre focus or pre shooting? Again if you have covered all this just ref. me to the video.
And of course thank you again,
Joe McGrath
04:12 I have a question. I am trying to use the Live Composite setting on my OM-1 to photograph lightning strikes. At night I have no problem and the system works beautifully. The problem arises when I attempt to photograph lightning during the day. I find adding a 10 stop ND filter works best otherwise the photograph is much too bright (1/2 second shutter is the slowest setting in Live Composite).
My problem is when I add the ND filter the LCD screen is too dark to view any detail. Is there something I am doing wrong or is there any way to brighten the screen while in Live Composite mode? Also, I’m finding it difficult to block out the brightness of the day but yet still allow the flash of the lightning strike to be recorded. Any suggestions would be greatly appreciated.
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25 июл 2023

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Комментарии : 36   
@1957PLATO
@1957PLATO Год назад
I keep saying this, Rob. You are the best.
@RobTrek
@RobTrek Год назад
Thanks, Plato!
@thomasreed49
@thomasreed49 3 месяца назад
👍
@RTFM70
@RTFM70 Год назад
So we’ll explained Rob. You’re the man!
@RobTrek
@RobTrek Год назад
Thanks!
@JeffreyMcPheeters
@JeffreyMcPheeters Год назад
Excellent work, Rob. You explain it so clearly and covered the important details. For anyone wanting to photograph lightning in daylight, however, I would recommend against Live Comp. Live Comp is really good at sunset or dusk as the storm clouds will darken the sky enough that the contrast between the ambient light with a good strike and the -2 stops setting will allow for the lightning to act as a strobe effect and freeze any movements of clouds and wind effected foreground leaves and branches if present. I've taken very good 30 second and longer multiple strike Live Comps of lightning that looked good and landscape details like wheat and trees looked sharp against the lightning-lit landscape. But in daylight, even a few seconds will result in the cloud details quickly turning into mushy grayness and any foreground subject matter that is being affected by wind could be blurred into a distracting mess. I recommend in such a situation to use, on the OM-1, the SH-1 setting. As you know, SH-2 limits the minimum shutter speed to 1/320 at 25fps and 1/640 at 50fps. In SH-1 mode, we don't need the continuous AF for lightning anyway, and it allows us to shoot at 1/60 for 60fps or 1/120 for 120fps if needed. We can even set shutter speed to whatever we want, so 1/10 or 1/20 is possible. The nice thing is that at 1/60 or 1/120 at equal fps, we have enough shutter speed to probably adequately stop foreground element motion at least to a distracting degree as well as able to keep exposure to the left enough to not over expose lightning. Usually about 1 stop under is enough, depending on how dark the storm clouds are, as the contrast in daytime lightning is much less than at dusk and night. Normally, when I do this, I get a complete strike in a single frame but it's not unusual to have the strike extend over three or more frames and I will blend them in Photoshop by stacking them and setting the blend mode to 'Lighten'. This is in effect, what Live Comp is doing when we use it. It takes all the frames and is blending them like Photoshop does in Lighten blend mode.
@RobTrek
@RobTrek Год назад
Thank you for sharing your tips to capture lightning. I didn't think about cloud motion during the day. Makes complete sense.
@benedictives9559
@benedictives9559 Год назад
Thank you again for your continued responses. Yes, I believe the lens connection is the real problem and I thank you so much for bringing it to light! Your patience and kind consideration with me is golden. I thank you. Were you I, what would you do next? With much appreciation, B
@RobTrek
@RobTrek Год назад
I would look at replacing the lens, especially if it's the 14-42 kit lens. Pro lenses might be worth repairing.
@metalmick99
@metalmick99 Год назад
Very grateful to see this, rob. I'm more than a little bit intrigued by the "live composition" mode, and am rather itching to give it a try. My knowledge of the history of Olympus cameras is quite incomplete which raises the question: is "live composition" the same as "live bulb" in previous Olympus models. I ask because the photographer Chris Baitson (I hope his accent doesn't overwhelm you - he sometimes speaks as if he has several marbles in his mouth) uses the LB setting - he has a different model to the OM-1. (I saw you have a couple of clips on this feature from a few years ago.). In any event, he uses it to smooth water flow of a waterfall. (ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-oykB8Npwxhw.html), which strikes me as a novel use, and not one I'd have immediately thought of. If LB _is_ different to LC please forgive me - I'm still learning how to drive my OM-1.
@RobTrek
@RobTrek Год назад
Sorry I didn't see this comment sooner. It got dumped in the spam folder because of the link. I need to check that folder more often. Yes, LB is different from LC. LB continually adds light to the sensor whereas LC only adds new light. So for example, if you have LB on for 1 minute, the entire exposure will be brighter. So a starry sky will get brighter. If you do LC for 1 minute, the exposure doesn't change. Changes to the image only occur where things are moving. So stars in the sky will not get brighter. However, stars move so you might get star trails if the exposure is long enough. Hence, using LB for waterfalls is reasonable, but long star trails would not be. Hope that makes sense.
@metalmick99
@metalmick99 Год назад
@@RobTrek meany thanks for the reply, Rob, and no need to apologise. Thanks for taking the time to explain, and what you wrote is easy to understand. All the best, Michael P.
@paulcrisp8423
@paulcrisp8423 Год назад
Hi Rob, excellent explanation of pro-Capture. There are a couple of things about it that bug me when using my PanaLeica lenses (100-400 and 200 f2.8). 1. I am able to use them in Pro-Cap SH2, but limited to the 25FPS (not 50FPS), even though they have the high speed (240 FPS) focusing motors fitted. 2. Pro-Capture with the 20, 15. 10 & 5 FPS options is not available, although you can use these in silent sequential mode, so again it does not appear to be a limitation of the lenses, just OM Systems not allowing it! I am sure both of these could be fixed in a firmware update, so fingers crossed.
@RobTrek
@RobTrek Год назад
Thanks. Agree about the firmware update.
@patrickmariescurrena8591
@patrickmariescurrena8591 Год назад
You did it again, Rob, thanks for your efforts! After a couple of days configuring my new OM-1 I cannot find find the way to get the highlights & shadows blown indicator I had in my OM-D E-M1 Mark III viewfinder!!! I have tried many different options but to no avail, any ideas? Thanks!
@RobTrek
@RobTrek Год назад
Hi. I answered your question in this video: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-zhUkOq1ZIjk.html
@DrJWR1
@DrJWR1 Год назад
Thanks for this, Rob! How do you get the histogram on the LCD screen? I’m not talking about when looking at a photograph, but, before the photograph is taken. I have looked all over the menu and I can’t find it. Thank you!
@RobTrek
@RobTrek Год назад
Hi. You can find the answer in this video around the 3 minute mark ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-zhUkOq1ZIjk.html
@RobTrek
@RobTrek Год назад
Hi. Hopefully this answers your question: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-cgAi8R1Jm24.html
@eamonnthatcher
@eamonnthatcher Год назад
Love your videos I've learnt so much from you big thanks. I can please help me with this I have Olympus E-M10iii trying to tether it to my laptop so I can look at my portrait big size to check before moving on. my camera when wired to laptop just says storage MTP print exit no pc and what does MTP mean can you please help Eamonn
@RobTrek
@RobTrek Год назад
Unfortunately the EM10iii doesn't allow tethering.
@RickStufflebean
@RickStufflebean Год назад
Biggest irritant I have right now with new OM-1 is not being able to get the Olympus Webcam software to work with Windows 11 laptops. Connects, streaming apps see the camera, but the camera only ever passes back screen to any apps on PC. OM Workspace and Capture work just fine.
@RobTrek
@RobTrek Год назад
Please elaborate on streaming apps vs apps on PC. For example, Zoom sees the correct clean output but OBS does not? I have everything setup to try and diagnose this for you. -Rob
@RobTrek
@RobTrek Год назад
I just checked OBS, Zoom, and Streamlabs. All works well. Let me know what app you're having trouble.
@RickStufflebean
@RickStufflebean Год назад
​@@RobTrek I got around to trying it on an iMac, and WebCam worked fine. So then I setup a dual boot Windows10 system along side my Windows 11, and it worked in Windows10 with both Skype and Streamyard. So then I booted back into Windows11 with NO CHANGES what-so-ever to the system... and it worked in Streamyard, Riverside, Skype, etc. So now I'm wondering if getting it to work initially on the iMac purged something hung cache or setting wise inside the OM-1. Nothing was changed on anything other than just plugging it into a current iMac, then Win10, then back to Win11. :: sigh :: technology ::
@RobTrek
@RobTrek Год назад
@@RickStufflebean You are in good company!
@PetalumaHandyman
@PetalumaHandyman Год назад
Hello Rob! I have been a subscriber of your videos for years. I own a film photography store and understand the ins and outs of just about every film camera ever made. I understand the digital camera is a tool and that image quality has mostly to do with the person behind the camera. I also understand that each camera may have a better fit for each person in terms of being comfortable using the functions and their placements. I'm very interested in purchasing a OM-e5 mark III. It just seems like such a great value right now for all the features and the size of the sensor it has. I may purchase the camera and have it professionally converted for infrared. I'm wondering if you can recommend another camera I should do some more research on that may be similar, specifically in the price range. Something under $1,000. I definitely like the more diminutive size bodies. I would love your feedback and be willing to buy you two or three coffees. Or a direct payment to your PayPal account. In fact everybody watching your videos should be buying you a coffee. There are lots of content generators specific to micro for thirds, but I believe you are one of the best if not the best at giving a wealth of information on this system. Not only do you prolifically put out high quality videos. It's just that you have the right personality and you explain all the technical stuff that I think even beginners can have a really good understanding of the benefits that you're talking about with each of the cameras and lenses you discuss. I appreciate your years of service and would love any feedback on my possible choice of the EM5 mark III It may be good to add that I don't do sports photography, I'm a slow and thoughtful photographer, most likely because of mostly shooting film and think about each composition so processing speed or shots per second is not important to me. Kind regards, David Garcia
@RobTrek
@RobTrek Год назад
Thank you for the kind words. I try. As for your camera choices, there are so many under $1k that almost anything will serve you well. If you're not already invested in m4/3 lenses, I might recommend a fujifilm x-t30 or an x-t2 or x-t3. I base this on the fact that you are coming from film cameras. The fujis have the same dial layout as film cameras. It might be an easier transition to digital. If you're already familiar with using PASM on digital cameras, then the EM5.3 is a tremendous value and packed full of features. Particularly the outstanding IBIS will breath new life into vintage lenses. The hi-res shot and focus bracketing features make for fun diversions from regular photography. Finally, it's hard to beat the overall compact size/weight of m43 system. That said, the real bargain these days is the EM5.2. While the contrast detect system can be annoying in C-AF, the camera is otherwise a gem. It's a tad smaller than the EM5.3 but with an all metal build. It really feels premium in the hands. It also has a few more features that were stripped away from the EM5.3 such as tethering and assigning custom modes to buttons. With the money you save on an EM5.2, you can get a couple of lenses. Image quality differences are negligible. I would recommend the EM5.2 or EM5.3 over any aps-c camera. If you want to venture into full frame, the Nikon d750. You probably have a boatload of f mount glass. Personally, I like the Nikon Df, but that goes over your budget. Hope that helps, -Rob
@PetalumaHandyman
@PetalumaHandyman Год назад
You are awesome! Thank you for taking the time to give you so much information that is very useful in making my decision. Coffees are on the way! I really appreciate your feedback.
@smkunder1
@smkunder1 Год назад
So if you do BBF, do you have to press both back button and half press shutter button simultaneously.
@RobTrek
@RobTrek Год назад
Yes. The AF-On will AF only. You have to 1/2 press the shutter button for Pro Cap.
@benedictives9559
@benedictives9559 Год назад
My Omd em 5 m II always shuts down after 7 seconds when in video mode. Any ideas? Thx
@RobTrek
@RobTrek Год назад
Most likely you're in the "MyClips" mode. When you selecting the video modes using the icons on the bottom of the super control panel, you'll see a small letter "c". If you select that mode, you'll need to click the info button to disable the clip length. Another option is to just select a video mode where the icon doesn't have the letter "c" in it. I show this icon here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-0E-LfEGa7UQ.html (time indexed to the exact spot).
@benedictives9559
@benedictives9559 Год назад
Thanks Rob. Got your response but I have to say that you are way too fast for me to follow. Sorry. While I usually shoot my videos in "art" mode using the B & W filter it always shuts down after 5-7 seconds no matter what. I often get the "please check the status of a lens" message as well. I only use the dial to set up, never the deep menu as it is too complex. That said, if you have any further suggestions or insight into these shut downs please advise. I strive for simplicity in all things creative. many thanks.
@RobTrek
@RobTrek Год назад
The "please check the status of the lens" message has me worried. If this happens with any lens, it's possible the contacts on the cameras lens mount are dirty. If it's a specific lens, try cleaning the contacts on it. I've had two 14-42 kit lenses like this. One I just threw away, the other it only happened when zooming. This has been reported about this lens by others as well. Both the manual zoom and power zoom varieties. I just tried the Grainy B&W filter in FHD 30p and was able to record 2 minutes. I suspect your lens is the problem. I noticed that recording will stop immediately when I push the lens release button. When you get that error message, the camera has lost contact with the lens during a recording. I can't think of any other reason your camera would stop recording after a few seconds.
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