OPETH - Wreath (live at the Royal Albert Hall) 

The technical incident with the guitar was metal as fuck to be honest. Mikael just growls like a demon like if nothing happened, it's quickly fixed, and the comeback of the guitar is badass (4:57). It's part of the song for me now.

I can't imagine having the energy to do blast beats at the end of this 11-minute song, Axenrot is a machine.

wow that guitar change was professional as fuck

10:56 BLAST BEEEEAT

There should be a blast beat here. Yes man, it should.

Whoa...blast beat in the end. Very nice addition. Axenrot is an amazing drummer.

Is it true that that this song was inspired by an incident where Mikeal Alkerfieldt split his glass of milk, which made him become outraged that he had nothing to dunk his cookies in, he started writing this song?

*Axnrot at the end with blastbeat* ""oh wait... This is Opeth no Bloodbath.... 😅👌""

I cant believe that mikael could go through this whole concert. The entire BWP plus their most brutal songs ever like wreath the moor. the hardest marathon he had done probably

The Court Of The Crimson King

Axe rocked in Roundhouse and RAH. I like him probably almost as much as I like Lopez.

God,this band is so original.. I missed old Opeth songs.

This is possibly Opeth’s best concert in my opinion. His growls were consistently strong, and his clean vocals were chiming. The vocals towards the end give me goosebumps nearly every time

I fucking LOVE the blast at the end of this. Axe is a goddamned beast. Lopez was great, but Axe is next level, and he's so consistent.

This song is a goddamn masterpiece Edit: I love how much fun Mikael ostensibly has just rocking the fuck out. The part at 1:53 is one of my top five Opeth riffs of all time and he looks so happy playing it

The solo starting at 5:12 just kills me

Wow. This song is EPIC. Great parts followed by great parts followed by great parts followed by great parts.

Love the addition of the blast beat.

4:44 OMG that growl

9:53 Love this part!

Except for Mikael's problem with the guitar and except for the blast beat at the end I would think they used the album version as playback. INCREDIBLY done!

Awesome setlist, Dirge for November, Forest of October, The Moor, and Wreath, have been songs i always wanted on a good video with great quality. Really my favorites. i just hate the way they jump 100000 times the camera images. not even 5 seconds in a row, whish we could´ve watched some solos.

i just watched this whole video while brushing my teeth. my doctor will be impressed if i go this way.

Axe can play anything off Deliverance to a tee! He's no Lopez, who (for me) symbolises the zenith of creativity and technicality in a drummer, but he [Axe] is a superb death metal drummer in his own right ... And his drumming on 'Harvest' from the same Albert Hall concert is a jazzy sensation, to say the least! \m/

Those octave melodies haunt my dreams...

I'm a Lopez guy myself, but damn, does Axe really fucking nail this one.

Falling inside again This nightmare always the same Still never enough Halting at the brink of discovery Moving into the darkness Leaking inside to cover up Dragging me down and under Entangled and undone at once Old memories I'm not in need but wish to know What are the tragedies The history behind the walls Pacing further down Familiar children's laughter Dissonant and out of time And their eyes are dead Watching myself in a pool of water Wearing the mask of a ghost Smeared all across my skin Rotten earth and insects Endless night Always preserving the calm Movement behind Bleeding animals in a field of fire There is no absolution Death is but a fairytale They are mere visions They are afraid of me Clear insight A smoke is rising nearby Dust covering my coat Blend together to spell my name Pale, covered me with sweat There are no words left Sole provider of death Distorted faith in myself Human harvest burning Blackest pages turning Twisted perception come true Captured in dreams connected Staring right back Spiritual decay - Still seeking Frozen in time Mourn this departure - All watching Calling me back Closure to bleak matters - I'm leaving End of a search Coming of morning Calling me back Closure to bleak matters - I'm leaving End of a search Coming of morning - Returning

That guitar switch was so fucking smooth. Imagine pulling off an incident like that, so well that it almost enhances the performance. Impressive :>

perfection. Brutifull, really no other words to explain this phenomenal performance... They are some lucky motherfuckers to be in there for that...

4:44 dude is prodigious!

Normal people talking about crazy beats: *random rap music drums and bass* Crazy beats in real life:

I've always been in love with the part that starts at 1:52 .

Haha love it how he just keeps singing while he changes guitar.

This REALLY... REALLY makes me question their decision to have literally NO blast beats on studio except for Lotus Eater.

Headbanging is not allowed? 9:35

All hail the power of Wreath!

I've always loved the solo at 8:00, but now that I know it was played by Mikael I love it even more!

Magnífico, personificación de la desolación, desarrollos de los requintos de guitarra tan evolutivos, ambiente sublime y oscuro, this song is cold, cool and called Wreath from Deliverance!

a true masterpiece

Such a great live show, perfect live band!

that's how it's done, right there! amazing

OH MY GODDD this sounds AMAZING LIVE

Blast beats were such a good touch at the end

Best opeth song ever. Period

I remember when they played Wreath on the Prog Nation tour in 08 at Gibson Amphitheater in LA...just amazing. No other way to describe Opeth live.

i was there one of the best gigs of my musical life

I think studiowise the classic lineup (Mikael, Peter, Martin and Martin (& Per)) hit their musical peak with Deliverance/Damnation. I'd say Blackwater park is still the best of their 6 records though, but I think musically D&D are just a notch above the rest, if not in songwriting. The new Opeth (Mikael, Martin, Axe, Fredrik and Joakim (& Per)) hit that point in their lineup with In cauda venenum, both musically and songwriting wise. Of course it's not as mindblowing as what they used to do up to 10 years ago, because what they're doing now kinda existed in the 70s already and what they did in the first 15 years was never seen before. I'd go as far as saying that if they did some good old prog death record it might be nearly as good as Blackwater park or Deliverance. But that is a question for the future and right now I'd love it very much if they just went further into the ICV direction, just more of what makes it special. Talking live I thinke there is not much to discuss. Perfect. I think Axe is way more stable on the heavy stuff than Martin was.

u must buy this DVD... quality is just awesome

They definitely need to play this more often. For the love I bear Deliverance the 4 other tracks on the album are gold as well. Axe is such a fucking beast live (studio as well) on all of their catalogue and he wasn't in the band on the 8 albums pretty much everyone considers the best. He's definitely not having any live struggles like I feel Lopez had on the 4 heavy songs on Lamentations.

his clean vocals got even better....

Fact: The guitars for this song is tuning in E standart. ;)

Next time, I hope we will have possibility to have it in Blu Ray. ; )

May That Guitar Rest in Peace Lol ..

@MarianOctavarium Puedes conseguirlo a través de Mercado Libre, o si no, en su página en la sección O-merch puedes ordenarlo!

BLAST BEET!!!

Beasts of prog))

How am i the only thathasntmentuoned that basss

Лучшее выступление Игоря николаева 10 валериев леонтивых из 10

lIKE TEN SONGS IN ONE IN ELEVEN MINUTES

4:30 and kids that's why you always need to have 2 guitarists to form a decent metal band :p

4:32 This motion is so cool

1.003!!!!!!!

@sKeLeT0n Different tuning, strings, or overall just a different sound, many reasons to change a guitar

omfg i came!

🔥🔥🔥🔥🔥🤘🏼🤘🏼🤘🏼🤘🏼🤘🏼

hey dude do u have this entire DVD? i can't get it in my country, Argentina, and i want to download it, do u know somewhere can i do that ?

CLOSURE TO BLAAAACK METAAAAL

Horizontal headbanging FTW

Dig the part at around 7:25 and then at disturbed part at 7:38 -

aklımı yitirdim

@Paralysedmind that's the problem, i don't use credit cards, i want to buy but i can't find it... thanks anyway!!! :)

@podrihc: Sorry but I wont be able to help you with that - you could order it online?

la voz de mike no es tan grave cuando la cancion es dificil , es mas dificil controlar asi los guturales

why did he change his guitar in the middle?

@0nl1n3n00b Yes I agree ..

Is the other guy's guitar even plugged in? 4:30

@kaChalloner Also probably a string though

4:30 guitar died

the fucking rule!!

8:30

00:02-00:07

@sKeLeT0n he broke a string

4:30....guitar goes out of tune.

Jesus Christ the fucking bass......

maybe because of a string

after 4:30 akerfeldt's react lmao

My name cat is ricardo d opeth

Incredibly doomed riffs \m/

Mikael's growls just aren't what they used to be. It's truly sad. 😢

They usually play live a little faster than usually...I love this performance but it is way too slow compared to the original track.

I think Lopez was more of a metal drummer, and a highly creative one, but as far as my taste for drumming goes Axenrot is the superior one. He has evolved a lot lately, can pull of mindblowing jazz styled beats and is overall more interesting to hear than Lopez. just check out Pale Communion if you doubt me, absolutely divine drumming

I want to hit like, but it's at 666! \m/

This song could kill a drummer ?

he really cant growl anymore it sucks

I hate the intro and the outro. Kills the darkness of the song.