My Patreon page: / chamberlainpaintings to help support this channel. My Instagram: / chamberlainpaintings or @chamberlainpaintings Ariah's Instagram: / ariahmyles Thanks!
Michael, the furthest cliff, that little bit of darker green hue, feels like it adds prominence , and indicates a depth on the beach, although it’s not directly seen behind it’s height, the leading edge of bleeding top soil , from under the grass still keeps a feeling of uniformity at the same time. I like the cliffs the most, beautiful painting Michael
thank you for reminding to look back not only on your composition, but coloring as well! i enjoy watching you mastering the art of catching shapes and colors
Magic captured, drama in 14 and 52 Both Ariah and Michael keep sand in view Squint for shape, shadow, exaggerated hue Step back, advice from our plein air guru Simple shapes, cold even in the flannel Join Patreon, support RU-vid’s best channel 😀 What dramatic compositions you both created. Yours features the simple shapes while being so evocative of the scene. Ariah’s zoomed in perspective is so beautiful too. ⭐️⭐️⭐️⭐️⭐️ Thanks for sharing! Peace and love..Suz What ☮️💛
Great point to move back from the painting to check the composition and color. Just be careful, we can get so working in the moment as to trip over a chair in the studio or a root on the ground and hopefully not fall off a cliff! HAA! Cheers-Greg
Thanks again for another wonderful video. Your final comment on walking back and forth (gaining perspective on marks & color) reminds me of Sargent making a path in the studio carpet!
Made excellent teatime viewing in a blustery sun and shower day in England, about 45F but colder in the wind - a pot of tea and toasted English Muffins as you call them (crumpets here!) to warm up with the Californian coast. Both paintings capture the day and the spirit of the place and the colour harmonies work so well.
Great work by both of you! Love his palette knife applications which make it look fresh and spontaneous. His sky was really well done giving the scene the light you were viewing at that specific time. Your simplicity is always your best suit. Both really nice paintings.
Hey! I wanted to thank you for sharing your work and these videos! I so love the way you describe what your mixing and why. I have learned about saturation, temperature,composition,well everything! I’m not a landscape painter but would like to be. I’ll keep watching and learning! Really I just wanted to say …. THANK YOU 🙏
Very interesting one Mike, the use of thalo blue as opposed to ceruliun interested me too and the value shifts you achieved. White water colour shifts were a good learning also, well done 👍
Looks a little chilly, but the energy of ocean meeting land is captured in your work so beautifully. Always gratitude for your generosity in sharing the creative process Michael.
You’re each using one of my favorite easels. An Alla Prima and the Take-It-Easel version of the Anderson/Gloucester easel, made by the son of the man who took over making them from Emil Gruppe. You guys probably know all this. And an enjoyable painting session as always.
...wow, at 2:12, that's some crazy dark paleosol there in the cliff face/bank you are pointing at, Mike and that usually means coastal archaeological site, high possibility, oh, also love the painting! I am a subscriber, a painter and an archaeologist - great stuff!
As always Michael, a great video culminating in a great painting...the more I watch your videos (and having painted for 35+ years) it becomes more and more apparent that VALUES are more important than just about anything else...colors maybe coming in second (?)....looking forward to your next work...
Two beautiful paintings...Im digging Ariah's style a lot too. Great spot, and what a pro, working out with that wind and cold...chapeau to both of you. How much time did you take to complete the scene?
Great work in the cold California coast! It beats New England... I was wondering what the synthetic brush offers instead of continuing with a bristle brush?
