Because cameras cannot capture the subtle colors that you see in person, your narrative is invaluable to those of us peeking over your shoulder, so to speak. Being able to hear your thought process, as well as hear the roiling waves, and see your brushwork mimic those waves in form and color...well, the whole presents the most comprehensive online painting instruction I can hope for. Thank you, Michael.
I love the moments you step back. The way everything resolves, the close details merge leaving a painting of the scene. If I’ve learned anything, it’s to step back to assess progress. It’s tough breaking the habit of a lifetime in drawing offices where micro precision on the page is demanded. Great work, great lessons, thank you.
i found you through emma’s channel years ago but you have grown to be one of my favorite channels to watch. putting on the plein air painting videos always puts me in a positive, productive, and relaxed mood so for that, thank you
I’ve started going out in nature to create plein air artwork after watching your videos Michael, it’s honestly re-sparked my passion. So amazing, thankyou! 😊🎨
Great to see how you handle grey days, as we get more of these than sunny ones in UK. I am certainly learning a lot from your videos. I have only been painting with oils for a few months, but am getting out to paint when I can. Have had some interesting chats with the passing public. Have also been given coffee and biscuits, sorry cookies 😉 thanks for all your efforts.
One of my favorite things is the ocean but I have found it to be intimidating to paint until watching your videos and the loose way you paint them. Thanks for sharing your techniques and the ocean
Thanks so much for filming and posting this process - fun to watch, relaxing, and great ideas for beginners like me. I want to feel like you look like you feel when you're painting...
The foreground rock n, water sets well with my eyes which makes me wanna get closer to, the Dioxosine purple and green makes the water lifelike in the foreground, and the horizon looks beautiful separating the deep from the evening sky. Lovely work Michael 👍🏾👍🏾
Beautiful painting, I maybe felt that the eye was somewhat trapped in the darker space between the land masses, lightening a small area of this shadow might have helped to push the eye forward, but I might be all wrong. Not only beautiful painting but great video as well. Thanks
‘Ah, but a man’s reach should exceed his grasp, or what’s a heaven for?” - Robert Browning. Wow, beautiful painting. Brave for attempting this composition. You inspire me to “ go for it”.
love the painting. For a foreground like that could be really fun to roll some paint off the brush onto the canvas and give a textured close up look, good quick opportunity to use palette knife too :) always love the videos you post and to paint along with them thanks again!
Muted colors; a return to Pescadero Experiment with doubts; because he says so Covers panel; observe if changes needed Colors are stable; light unimpeded Atmosphere and reflections Join Patreon for more directions 🌊 The colors are beautiful. This is such a wonderful location. I love your result. Thanks for sharing! Peace and love..Suz What ☮️💛
You did so much in an hour. Those crashing pacific waves! You painted some beautiful colors! Appreciate your suggestions on dealing with overcast days bc it's something I've had trouble with as well. :)
That looks like one of the most difficult things you could paint!! I’m not in love with that big fat rock as it comes forward, but I think you did a great job with it and with that foreground and you always pretty much nail the water.
Very nice result, bravo !!! About the "rock definition problem" : You should try to ad random little points with a very small brush, (small being "yang") it will balance out the lack of definition caused by the bigger size of the shape "yin".
i learn so much from your videos! getting better with practice, especially since i remembered to tone the canvas bc of your vids! these are so great ! ☺️
I think this worked out well. Your atmosphere is great, the foreground really works, and the energy you achieved brings it all together nicely! Well done. And as always, you do a great job at speaking clearly and intelligibly while you paint…what a challenge that is…nice work.
@@chamberlainpaintings The wave paintings you did a few weeks ago was GREAT! You captured the moment perfect! I have been there a few times at that location. I do learn a lot when I do watch, Thanks! I do enjoy the Patron you have and I'm a member, people need to check it out.
Thanks for another informative video . Maybe consider darkening the big foreground rock to the point where it's darker than the subsequent rock s . As is , the viewer likely gets stopped from travelling further into the composition . Might also make your beautiful water pop a bit more . Photoshop might be helpful to see if the above is helpful or not .
Yay! Another Michael Chamberlain video! Lovely way to end my weekend. I read a book yesterday by Ron Ranson - Oils Trevor Chamberlain. Wonder if you are related - same exquisite brush work! Keep the videos coming!
Thought todays painting was great. I thought you might do some of the cracks in the left foreground to help lead the eye into the painting. I particularly liked you trying to capture the colours in the rocks and sea. Maybe a line of dark colour to define the edge of the big rock would help show its bulk? Just suggestions but its your use of colour and your mixing is great. Makes me ashamed of the sackful of colours i end up taking with me when i should limit them and mix more.
Michael , this affect reminds me of a painting Wyatt, or is it Wyath, when I was looking from that rooftop, at a shores edge, but you could feel the drop embankment, although not visible, , Michael , you have that feeling captured , ( also invisible ) , I Love Your Experiments , and this painting too, ( got to look some more later , Thank you Michael 🧐🤔🧐🤔😁
It looks like a series of water eroded lava extrusions. The rock looks eroded volcanic with lots of sea poop. San Andreas fault? Interesting geology. Final painting is very nice!
michael, you speak of creating definition and it’s difficulties in your video. You speak of the rock mid-ground just above the out cropping of the huge stone foreground. On the lower right of the mid ground rock there is a Picasso- ish split face , part to the right is in silhouette, adjacent to the left that half face is forward looking. The more easily seen to the right is the silhouette of marilyn monroe, the right eye is first to be recognized in the silhouette, i say Picasso because the right side vs left is juxtaposed, and as mentioned , the gaze is 90 degrees angled one half to the other. The lower left of the same rock holds a complex image in grey. More in the adjacent sea to the left. Foreground outcropping, it’s outstretched brush strokes, subtle reaching, even softer it’s hidden images, “” lifts “” the rock adding mystery and intrigue. Telling of one more area is the bottom right corner , many will see the part of the image “” that is a heart “” , if they see that, they’ll probably see the rest. Michael, uniquely an extremely beautiful painting and more to be discovered ❤️
Beautiful painting from what I thought was a not particularly interesting scene. Often you start painting a view which to me looks nothing special. Then you create a painting which captures beauty in it! You have vision!🧙♂ Also I think cerulean blue is a mix of phthalo blue and white?
Thanks! cerulean blue hue is a mixture of phthalo and white, but cerulean blue pure is not. It's made from a different pigment and it's more expensive! It also has less tinting power.
Hi my friend. Thanks for the great video you shared with us. very interesting really great vidpaieo thanks for sharing it. please keep in touch, 💖., 💖. ., 💖.💖.
