George Harrison was not credited as a writer on "Don't Let Me Down," but his guitar playing is one of several reasons it's one of the greatest love songs of all time.
It is in the Key of E. George uses the C# minor pentatonic box for solo riffs. It is amazing how they made a two chord song sound so full. John just plays F# m to an E. George’s guitar embellishment and John’s vocal give the song it’s range. The four of them together created something bigger.
@@milan5079 I believe the C#minor pentatonic scale contains the same notes as the Emajor pentatonic scale. The ‘tone’ of the scale is determined by which note you use as the root and resolve to - either the C# or the E.
@@milan5079 Честно говоря,тоже не очень понимаю,но это же Битлз ! Они ставили в тупик многих композиторов и музыкальных критиков...Видимо,им подвластно всё..
@@milan5079he’s right, that the main riff and George’s lead notes are mostly C#min pentatonic (5 note scale). Which is the same as an Emaj pentatonic scale. But he also plays an A note a lot, which is not pentatonic it’s major scale
George was so underated it's a dam shame Paul use to tell him what to play. When George was a much better guitarist than Paul by far. It's George's leads that make the Beatles song beautiful. Thank you George your very much missed
So much space for the bass, keys and vocals here. Such sympathetic players and arrangers. To think of where they were with this song a couple of weeks before and to then come up with maybe their greatest performance as a group... incredible
The tone is just perfect, l don't think you can have a better cover than this. l love how George's lead guitar is so reminiscent of Lennon's solo career, this track has the sound of Plastic Ono Band or Walls and Bridges.
Todo tan (aparentemente) simple, pero tan hermoso. Y si luego sumamos la batería de Ringo y la forma de cantar de John y las armonías de Paul, construían los cuatro juntos una gran canción basados en (otra vez) algo tan simple. Asombroso.
Omg!!! I was awaiting this one anxiously!!! Thank soooo very much for covering to perfection this amazing, timeless classic!! Hopefully you can cover “Dig a Pony” and “I’ve Got a Feeling” maybe next?? 👀😩
The sound John got from his guitar playing the rhythm was so smooth. I could not hear the initial striking of the pick on the strings....really smooth.
Music lessons are both aural and visual. Tabs/chord shapes on screen are of great help. May your generosity come back to you hundredfold. We appreciate your talent and efforts. Thanks ❤
Increible tema, es increíble como la canción es tan simple en acordes con adornos hermosos, los fab four definitivamente tenian una magia increíble, espeeo puedas traer cobers de rubber soul saludos de Perú 🇵🇪
Considering the title says "Single Version", I really hope to see a "Rooftop/ Live" version, definitely prefer that over the Single version, but either way, great song, and great video
Amazing! Have you thought about covering George’s electric guitar part on the long and winding road Naked? I don’t think I’ve seen a single cover of it on RU-vid.
Could you please whenever you can do 'Heading for the Light' by The Traveling Wilburys. It's my favorite Wilburys song and really love the guitars in it. Would love to know more about it and you're videos sure do teach me basically everything about the musicality of every song you :)
Does it seem strange to you that John's vocals are doubletracked in the bridge? Apart from I Me Mine, this seems to be the only other Let it Be era track that breaks the no overdubbing rule they had set in place.
Yeah I wish they had kept some of the original vocals from Jan 28. Like george’s harmonies. The let it be naked might be the best version, because it mixes the two rooftop takes together
@@sampopkin It's amazing how they were able to combine the takes so seamlessly. Prior to seeing Get Back, I actually didn't know they were from two separate takes.
@@sampopkin Ah! thanks. I remember seeing John switching to F#m 7 during the "Oh, she does" line in the the rooftop concert video so I thought that he might have done same in the studio recording. Probably did it differently there. Thanks for the clarification.
I have a Telecaster too, but even i have some good pedal effects, i can't make the sound that the George guitar's make, what kind of effects that u use?
Using my analogman king of tone as a slight boost into my silverface 1974 pro reverb amp. Which has the vibrato channel (tremolo effect). Also, mic’ing the amp with a nice condenser helps
