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This glorious painting is way beyond my skill level, however, I'm willing to learn and play, and I understand your clear instruction, so there's an aspiration building. Many thanks for this generous tutorial.💐
Wonderful video Tisch! You created a little world I want to step right into and explore. Your narrative along with watching your paint strokes and colour choices are always so clear and inspiring...I come away with a valuable 'ah ha!' whenever I watch you. Thank you so much for all you do.
That painting may only be a 11x14, but as you said. There is a lot of detail in there. I think that I have seen every one of your videos Andrew😊. But I don’t think that I will ever get tired of the reruns. Bravo Maestro!! Bravo.
Hello Andrew! I'm watching after your art from another part of the world for a several years. I find your work immensely prolific even for expirienced artists. Especially, I want to remark facture and volume of the paints medium itself on a canvas. Thank you for an endless inspiration.
Stunning work as always!! In my opinion, you are still one of the best artists. Several years ago, I first found your art videos here and they really helped spark my interest in art . I will always be thankful.
Andrew, you are a Confidence Giver for those willing to receive it. Imagine, leadership in art. I had never thought of this concept until watching this video. Thank you, sir.
YOU ARE DEFFINATELY THE EXPERT WHEN IT COMES TO WATER ANDREW, I HAVE APPLIED YOUR METHODS AND IT HELPED ME SOOO MUCH, THANK YOU! I WORK IN ACRYLICS BTW, AND THEY STILL WORK!
Love your stuff . I learn a lot just seeing how you mix paint and apply it to the surface . Your narration is insightful too . PRACTICAL AND PHILOSOPHICAL . Thanks. Peter .
Just stunning! I loved this video, especially as i am halfway through a riverscape with rocks. I got fixated on the rocks and have produced ...a portrait of...ROCKS. 😢 I LOVE how you paint water. It's not just alive and rippling and dancing with reflections, somehow you make us know its also freakin' COLD. 😂 Maybe New Zealenders just get it. Thanks for the joyful lesson. 🙏🌞🇿🇦
Amazing work as always mate. Particularly fond of the work and final render of the river part which is incredibly realistic, with all the subtle variations. Loved to see the process. Thanks for sharing ❤ Take care
It's interesting how the foreground is more photo realistic and the background less vivid. All of the elements you selected are working really well. Makes me want to pitch a tent along the river bank and soak in the beauty. I love the fact that I have some understanding of the techniques you describe after watching so many videos of yours and other artists on the web. I'm grateful for your desire to share your talents and experiences with those of us following behind. Thank you for what you do, and the long hours you put in to make it all happen. Here's to continuous growth and learning, while enjoying the process! 🎉
Fantastic! Another masterpiece :-) I always learn something new when I watch your videos and try to incorporate it into my own painting style. I loved your idea of taking the tree from a different landscape to make the one you were painting more interesting. I use ref photos a lot, but I always try to do something interesting with the palette and the textures in the painting. There are so many good artists, and galleries always seem to want something 'unique'. Sometimes it's difficult to figure out what that is! Thank you for sharing.
Hey Andrew! I always enjoy your videos. I have a set of the daggers from Rosemary & Co and the Blue Ridge oil paints -- they are both exceptional, as is your artwork. Thank you for sharing.
👋Greetings from Germany, - absolutely magnificent, Andrew! The parts of the river in the foreground look fantastic (the other details also, of course). I need a lot more practice in order to be able to accomplish an appearance like that. Thank you so much, your videos are always so helpful and highly appreciated❤
Hi! This is an amazing artwork i want to tell you my story. I'm gulizar. An ezidy person. My talent is an art. I live in iraq. You know here with no support or anything we can't grow any talent here. But I never giving up to stop my artworks i don't know when my dream become true to be the most perfect artist but i should never give up 😊
Every video you make is inspiring. And your calm narration is great. You called reference photo average, but result is amazing. You should do video with Adebanji Alade, London-based painter, with infectious enthusiasm and nuclear-level positive energy, like you did with Florent Farges.
These oil paintings capture the ever-changing scenery of rivers, mountains, and rivers with their rich color layers. Blue, green, and gold are interwoven together, as if they are the most brilliant palette of nature, each stroke containing the vitality of life and the harmony of nature.❤🧡💛💚💙💜🤎
Andrew, I have been following your channel for years, note-I really miss the music of your old intros... but two things always amaze me with your paintings. 1, how realistic they look, like a photograph. 2, how little paint you use and how wonderfully it covers
Absolutely love your work! Am still using acrylics with oils overlay, only for work I am happy with and want an extra pop. One big intimidating factors for me to transition to oils, is muddying verses drying times. Do any of your online courses address this type of transitioning from acrylics to full oil work. Thank you for sharing your time and inspiration.
Great question, whist they don't cover how to transition from one to the other, I do break down the essentials and basics in my "Fundamentals of Oil Painting" course. You can catch that on my Academy, and of course, you can get yourself a free 7 day trial when you sign up! tisch.academy
Wonderfull Video as always 😊 I would be interested in how you make the transition between 2 reference images (if you need content idears for a new video 😄).
@@AndrewTischlerArt That's possible too, but I was thinking more of the area/edge/border between two subjects. Like a river and a section of grass. I would assume you fill in some areas according to your imagination, without any reference material. (Maybe this is a stupid question) I'm always amazed at how you combine multiple images into one. I don't know where one reference image ends and the next one begins. By the way geetings from Berlin 😊
What color did you use to tone the canvas? Burnt Umber, Raw Umber, Burnt Sienna? Did you set the toned canvas to around a 50% value in white/brown mixture? I really like how you allowed the toned canvas to shine through on the background mountains. Thanks for posting this amazing video! *Edit: You mention Burnt Sienna and/or Burnt Umber in the middle of the video (6:04).
Your comment at about 5.20 that you're often tempted to put too much into a painting... for me, the painting at this stage is more interesting than in its final form. You have fabulous technique and powers of observation, so the final form is by no means dull. Paradoxically, the more explicit the painting becomes, the less you leave for the viewer to 'invent'. I can't be too critical though. The final form is a beautiful and weighty expression of aerial perspective. (Among other things!)
Heya Andrew, just a quick question/observation regarding shadow color temperatures and midtones as its something that I've been trying to get in grips with. In the masses of rocks around the focal point the mid tones look colder than the shadow (to me), which helps them read as cold hard rocks which they are when surrounded by warmer light and shadow, without muddying it as the shadows still contrast highly with the warm key light with the splashes of cold sky colored water. What's the process behind balancing it like that? Do you go midtone first and use light and shadow to pop it as much as possible, while keeping an eye on the muddiness?
Water always seeks and finds its level and ONLY flat surfaces reflect accurately. If our world is over 70% flat water, then how can it be a spherical object? Real life observations and wonderful reproductions like this prove water is flat over any distance. Beautiful painting!
