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one of the german soldiers also said something along the lines of "It all starts with children, thats why I said to leave them in the barn". Maybe Florian also saw and realised that
This was an excellent analysis. It gives me food for thought the next time I view the episodes in the future. A new & different perspective which allows me to enjoy the series more completely. TNX!
In a real world situation, Ruth would never survive. Firestorms would either suffocate or incinerate the inhabitants of urban basements. I don't know if that's good or bad.
I seen this when I was on my x-rated, or shocking movie rabbit hole. So messed up watching this filth and debauchery. I am a hardcore big film buff so I guess I had to watch it at least once.
He died because he wrote and filmed about fascism. In 120 days of Sodom he told a story about Mussolinis fascis Republic of Saló. at lake Garda in Northern Italy, his last refuge before he was murdered. He showed people the face of fascism and was murdered by fascists
I loved the realistic use of the supernatural in the show. Many report these kinds of experiences in real life but many don't believe in anything supernatural. The show portrays them like that.
The biggest issue with your video, is the fact that the characters in the book lacked names too. It wasn't a choice of his. The only thing I personally took away from the movie, was the men dancing at the end. That is about the only original part of the entire film.
Dreamers yes, but it was perfect when Herzog characterized his characters all in one family as “desperate and solitary rebels, with no language to communicate, no shadows and no pasts- knowing their rebellion doomed to failure; they continue without respite”
What he "gets" is that he's an evil mob boss and needs to embrace that role. He doesn't care that he killed Christopher because he's selfish and a monster and Chris created problems for him.
Its not that bad of a film , I didn't enjoy it bit i eonder os thete evidence that he himself was a pedophile? Or was this a smear campaign? I hope the latter.
its more likely that he despises the bad father in cristoher because he is a bad father himself to aj particulary.. its not insignificant that aj attempts suicide around this point in the show.. the setting aj grew up in between overprotective carmela and overpowering tony and also probably the inherent family sin he feels given his sensitive nature consequently led to that moment.. so its almost as tony because of his lifestyle choices caused this action - symbolically killing his own child, only not in a moment but over the course of a long time of course, the most indicative connection is the repeated fact that christopher was "like a son" to tony - and tony literally kills his symbolic son, while symbolically killing his literal son
Interestingly, the medium, displays all the qualities of someone that genuinely beleieves they are a mrdium, ie. nervous dispostion, not the "Awww, I'm starting to feel it" bullshit. Also being specific not cliched. As far as the script goes, he's a real medium.
@@anakinskywalker8389 Look, even Michael Franzese -- a REAL, day-to-day working gangster for 40+ years -- has said in many, MANY occasions that most of the situations and behaviors displayed in the Sopranos were NOT realistic and would NEVER, EVER happen in real mob life. The whole Ginny Sack insult storyline for one. The way John Sack behaved in sit downs, all fake. Made up. Unrealistic. Much of it is accurate, yes. But Franzese has sited dozens of storylines that are just absolute b.s. in interviews and on his YT channel. Plus, my maternal grandfather's older brother was, in fact, a real mobster (died in 1986) who was locked up at Leavenworth from 1952-58 and shared a cell with Benny Binion for most of that time, going on to work out of Binion's Horseshoe casino in Las Vegas after his release. So I'm incline to take Michael Franzese at his word; he has no reason to slam the Sopranos, it was a great show! And the creator of Mad Men was a head writer on the Sopranos before he produced Mad Men. He has also said he knew a lot of the mafia story lines were fantasy and not 100% authentic situations, nor did the charcters on the show always behave the way TRUE made guys would. MAD MEN is the complete opposite. Indeed, the entire premise of the show is based on the real life of one of Madison Avenue's most legendary creative director's. And a lot of fans (like my mother, who worked at McDonnel Douglas from 1965-1969) have lauded the show and the creator for it's sobering and realistic portrayal of daily life in 1960s America. NYC in particular. Every detail was closely supervised to ensure nothing was out of place or time. Yes, the main character of Don Draper is a fictionalized amalgam of a lot of ad executives from the era but it is a genuine, entirely truthful and realistic depiction of the people and the times, unlike The Sopranos. That's all I was getting at.
That scene has a profound effect on me. I look forward to it every rewatch. I interpret is as a kind of commentary on life, or our idea of life and living and the futility of it. It's like Tony glimpses the infinite, the scales fall off and what he thinks is important just melts away. He's finally free. And I think the beauty and majesty of the setting punctuates that and speaks to a sacred part of him. A part that wishes he'd been born someone else, far away.
One thing that wasn't explained: If Pasolini was on his way to get the reels of stolen film back but was murdered, how did we get to see the full film of Salò. Did someone else recover the stolen reels?
Tony coukd have redeem himself, walked away from this life but whne he killed Booty, it was to late. But wbo knows, Dickie maybe could have been a better fatherfigure then Johnny Boy.
There’s a point to be made about consumerism and hedonism, more specifically tolerance of and indulgence in degeneracy. There’s a reason capitalism has been pushing tolerance towards sexual deviance and degeneracy. It’s easier to shape and mould people detached from any form of principle. And it offers endless new niches to be capitalized.
