I really like that it gives a graphical representation of the attack, and shows where you are in it during playback. There are a lot of virtual instruments where I've had trouble understanding what exactly some of the parameters related to attack do based on their names and the descriptions of them given in the documentation, but here there is no ambiguity. It's interesting that the basic tone of the pizzicato sounds, to my ear, less convincing than the arco. I would have thought arco would be much more difficult to recreate, but this isn't the first synthesized string virtual instrument that is like this. Fortunately, traditional sample libraries leave a lot less to be desired with pizzicato than with arco, and there are endless options for those.
Hey, thanks for the video! How do you configured it so that you hear only processed signal with no dry sound? I switched DRY knob to dry. I'm just hearing dry audio from track i try to resample
Wow..physical modelling is sounding awesome, imagine how much GB we save from big contact libraries, but as maybe it can be good to layer recorder and synthetic ones
Really enjoyed your demo and breakdown. Seriously considering this pedal. Can you build presets on the computer and download onto the C4? Don't always want to be tethered. Would use their new midi adapter, if it'll work.
Absolutely amazing sounds! Cant wait to try these out. What is your signal chain? For guitar Would it be better to run this at beginning of pedalboard but would have to be in mono.. or run it after drives right before wet stuff to be able to run it out in stereo? Thanks!
Really cool. I hope some of those sounds still sound good in mono, since that's all i can really do. But either way, excited to try them out. Did you happen to upload them to the cloud?
So is modelling at a point now where it could substitute for a real amp? Guitar isn't my primary instrument but I do enjoy playing it regularly. I have an amp too but it's a bit of a process to get it all going. Because the amp is loud it tends to live in a part of the house that's pretty well noise isolated. The amp is mic'd up and I typically listen through my monitors. I find this is the only way to use it without blowing your ears. It does involve microphones and cables and preamps etc etc. If there is an easier way I'd be open to it. I tried modelling software in the past but it just doesn't do what a tube amp does unfortunately so I devised the above process. But if things have progressed technologically I might revisit the issue. There is also impulse response but I haven't heard of a guitar plugin that uses that. Only the Kemper apparently. Anyway thanks for the vide.
